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Há 1 dia · This is why postcolonial thinkers such as Edward Said, Ranajit Guha, and Gayatri Chakravorty Spivak have frequently turned to Karl Marx’s aphorism about the peasantry from The Eighteenth Brumaire of Louis Bonaparte, “They cannot represent themselves; they must be represented.”
Há 2 dias · The chapter draws on theories of intersectionality (Kimberlé Krenshaw, Leslie McCall) and representation (Stuart Hall, Gayatri Chakravorty Spivak) and is based on a reading of a selection of popular Western narratives where the cleaner is the protagonist and cleaning is in focus: the Swedish award-winning biography of the Swedish writer (and cleaner) Maja Ekelöf (Jag har torkat nog många ...
Há 4 dias · The second essay I read (or, rather, re-read) was Gayatri Chakravorty Spivak's essay "Ethics and Politics in Tagore, Coetzee, and Certain Scenes of Teaching." Spivak's paper is, as one familiar with the author might expect, rather heavily theory-laden.
Há 1 dia · At the same time, Gayatri Chakravorty Spivak’s postcolonial critique of his worlding suggests—as Tiampo puts it—“is the potential force of conquest, decimating Indigenous life worlds” (Spivak 1986; Tiampo 2024).
Há 4 dias · SPIVAK, Gayatri Chakravorty. Pode o subalterno falar? Belo Horizonte: Editora UFMG, 2010. TSING, Anna Lowenhaupt. O cogumelo no fim do mundo: sobre a possibilidade de vida nas ruínas do capitalismo. São Paulo: N-1 edições, 2022.
Há 4 dias · KEY WORDS: Postcolonialism, representation, Edward Said, Homi Bhabha, Gayatri Spivak, postmodernism, Third World/First World, mimicry, religious nationalism, ambivalence The Politics of Space As a subaltern critic of culture, Gayatri Chakravorty Spivak had pointed out what the Third-World postcolonial subject “cannot not want,” thereby creating an aporetic space for the deconstruction of ...
Há 4 dias · One of the manifestations of unresolved trauma is associated with the use of Balkan stereotypes and self-Balkanisation in films. In this paper, I explore the connection between unresolved trauma and the music used to express Balkan stereotypes, focusing on a case study dedicated to Goran Bregović’s soundtrack for Emir Kusturica’s film Podzemlje [Underground] (1995).
