1924
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Há 1 dia · In an article he published in 1973 in the queer magazine FUORI!, Mario Mieli stated his appreciation for Francis Picabia’s aphorisms. Building on this surprising statement, the paper addresses and contextualises the underground circulation and some queer appropriations of Picabia’s work and writings in 1970s Italy.
Há 17 horas · On the gallery’s PH floor Galerie 1900 - 2000 will present a survey of works by Francis Picabia curated by the artist Harold Ancart. As per the title 7 paintings and 1 painting the exhibition will feature 7 paintings by Picabia from the key periods of his output along with one painting by Ancart that draws a line between the work of the two artists.
Há 5 dias · September 22, 2024. 1 minutes. The icon indicates free access to the linked research on JSTOR. Over the past decade, our writers and editors have shared dozens of stories, research summaries, and reading lists on the history of art. We’ve covered individual artists, movements and manifestos, research methods, and museum practices.
Há 1 dia · The most important center of the movement was Paris, France. From the 1920s onward, the movement spread around the globe, impacting the visual arts, literature, film, and music of many countries and languages, as well as political thought and practice, philosophy, and social theory. Founding of the movement. Max Ernst, The Elephant Celebes, 1921.
Há 4 dias · Léa Bichard, Francis Picabia et l’art extra-européen. Quand l’étude d’un collectionnisme oublié mène à repenser l’œuvre. Marion Bertin et Tamara Schild, René Gaffé: A legacy of Dada and surrealist collectionism of "non-Western arts" 12:30-14:00 Déjeuner. 14:00-16:00 Session 2 - Collectionneurs et marchands 2 (modération ...
Há 2 dias · Francis Picabia, La Femme aux gants roses (Woman with Pink Gloves), also titled L’Homme aux gants (Man with Gloves), ca. 1925-1926, oil on cardboard laminate. 41 1/2 x 29 1/2 in. The Fine Arts Collection, Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis.
Há 3 dias · Elle y présentera une communication intitulée : « Francis Picabia et l’art extra-européen. Quand l’étude d’un collectionnisme oublié mène à repenser l’œuvre ». Programme du colloque. INFORMATIONS PRATIQUES : Accès libre. Pour toute information écrire à: surrealismegrenoble2024@outlook.com
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