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A cornerstone of Sartre’s philosophy, _The Imaginary_ was first published in 1940. Sartre had become acquainted with the philosophy of Edmund Husserl in Berlin and was fascinated by his idea of the 'intentionality of consciousness' as a key to the puzzle of existence. Against this background, _The Imaginary_ crystallized Sartre's worldview ...
Psychology Press, 2004 - Philosophy - 208 pages. In "The Imaginary", Sartre presents theories of human imagination and consciousness that drove his existentialism and his theories of human freedom. This translation by Jonathan Webber rectifies flaws in the terminology of the 1948 translation and recaptures the essence of Sartre's phenomenology.
A cornerstone of Sartre’s philosophy, The Imaginary was first published in 1940. Sartre had become acquainted with the philosophy of Edmund Husserl in Berlin and was fascinated by his idea of the 'intentionality of consciousness' as a key to the puzzle of existence. Against this background, The Imaginary crystallized Sartre's worldview and artistic vision. The book is an extended examination ...
First published in 1940, Sartre's The Imaginary is a cornerstone of his philosophy. Sartre had become acquainted with the philosophy of Edmund Husserl in Berlin and was fascinated by his idea of the intentionality of consciousness as a key to the puzzle of existence. Against this background, The Imaginary crystallized Sartre's worldview and artistic vision. Here he presented the first extended ...
31 de jul. de 2004 · Sartre's (1940 Sartre's ( /2004) phenomenological account of the imagination helps us in this task by detailing daydreaming's ontology and its potential effects. This foundational work by a major ...
Sartre on the Imaginary. Seminal French existentialist philosopher Jean-Paul Sartre relates phenomenology, consciousness and intentionality to a theory of imagination that departs radically from prior conceptions in psychology. In the image, indeed, a certain consciousness gives itself a certain object.
16 de ago. de 2013 · According to Sartre, an object can be given to us in three ways: by perceiving it, by having an idea of it, and by imagining it (having an image of it). Although we may try to respond to the image in the same way as we would to the object itself, the fact remains that an image, however vivid, presents its object as not being.
