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12 de jan. de 1999 · RCA's Spirituals, a 1999 release by the legendary contralto, is a reissue of a 1956 album, with the addition of nine earlier recordings. It is an excellent compilation of 30 spirituals which displays the rich, expressive, dignified voice of the great Marian Anderson. Usually accompanied only by her longtime pianist Franz Rupp, the album is a ...
25 de out. de 1990 · Discography Timeline. See Full Discography. Marian Anderson (1992) Marian Anderson: Brahms Alto Rhapsody & Lieder (1993) Tribute To Marian Anderson (1993) He's Got the Whole World in His Hands (1994) The Lady from Philadelphia (1995) Marian Anderson The Lady (1996) (1996)
Discography Timeline. See Full Discography. Marian Anderson (1992) Marian Anderson: Brahms Alto Rhapsody & Lieder (1993) Tribute To Marian Anderson (1993) He's Got the Whole World in His Hands (1994) The Lady from Philadelphia (1995) Marian Anderson The Lady (1996)
7 de out. de 2016 · This new recording contains Brahms’ complete music in which the viola plays a solo part: the two Sonatas Op. 120 and the 2 Gesänge Op. 91, for alto, viola and piano. Brahms’ two viola sonatas are masterworks of his late style: the perfect handling of the sonata form sets the structure for autumnal reminiscenses and melancholic introspection, alternated by either passionate or tender ...
Zwei Gesänge für eine Altstimme, Viola und Klavier by J. BrahmsFrom Arte.tv Hope@HomeApril 16, 2020Magdalena Kožená, mezzo-sopranoAmihai Grosz, violaSir Simo...
- 13 min
- 41,6K
- Amihai Grosz Viola
30 de set. de 1992 · See Full Discography. Marian Anderson (1992) Marian Anderson: Brahms Alto Rhapsody & Lieder (1993) Tribute To Marian Anderson (1993) He's Got the Whole World in His Hands (1994) The Lady from Philadelphia (1995) Marian Anderson The Lady (1996) (1996)
Brahms published these songs in 1884 as his Op. 91. Images of wind in trees – calming in “Gestillte Sehnsucht,” alarming in “Geistliches Wiegenlied” – unite the two songs. Musicologist and Brahms biographer Karl Geiringer suggests that Brahms might have been influenced by Bach here, if only in the use of an obbligato instrument.
