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Há 2 dias · Atoms are the basic particles of the chemical elements. An atom consists of a nucleus of protons and generally neutrons, surrounded by an electromagnetically bound swarm of electrons. The chemical elements are distinguished from each other by the number of protons that are in their atoms. For example, any atom that contains 11 protons is sodium ...
Há 5 dias · Composer Tom Holkenborg explains the secret heartbeat embedded in his score for the Fury Road prequel. Here’s Why the Furiosa Soundtrack May Leave You Feeling Unsettled Liz Shannon Miller
Há 1 dia · — Waits on what his wife brought to his creative process Returning to Los Angeles, Waits and Brennan moved into a Union Avenue apartment. Hoskyns noted that with Brennan, "Waits had found the stabilizing, nurturing companion he'd always wanted", and that she brought him "a sense of emotional security he had never known" before. At the same time, many of his old friends felt cut off after his ...
Há 4 dias · Producer Tom Holkenborg has revived his Junkie XL alias for the first time in nine years with the release of A Fluff Scam, a new EP on Sasha’s Last Night On Earth label. Released on 10 December, the five-track EP has been preceded by the release of the title track, A Fluff Scam. More. Junkie XL - A Fluff Scam (Official Audio) Watch on.
Há 3 dias · The hand-offs between sound and music are indistinguishably precise in no small part because Holkenborg’s core goals for the “Furiosa” score were so rhythmic and internal and tied to its protagonist’s point-of-view. “The whole movie is scored from Furiosa’s perspective. So when we see Dementus killing her mom [Charlee Fraser], we ...
Há 5 dias · George Miller erwünscht sich mit einer Fabel übers Wünschen den eigenen Wunsch nach einem »Anti-Mad-Max«-Film. Aber seine Referenz an »Geschichten aus 1001 Nacht« scheitert sowohl an der mangelnden Chemie zwischen den Hauptdarstellern Tilda Swinton und Idris Elba als auch an zu viel Biederkeit und Konventionalität.
Há 3 dias · The hand-offs between sound and music are indistinguishably precise in no small part because Holkenborg’s core goals for the “Furiosa” score were so rhythmic and internal and tied to its protagonist’s point-of-view. “The whole movie is scored from Furiosa’s perspective. So when we see Dementus killing her mom [Charlee Fraser], we ...
