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31 de mai. de 2023 · Thomas Stearns Eliot was born in St. Louis on September 26, 1888, and lived there during the first eighteen years of his life. He attended Harvard University, where he earned a bachelor’s degree in three years and contributed several poems to the Harvard Advocate. From 1910–11, he studied at the Sorbonne, then returned to Harvard to pursue ...
12 de set. de 2011 · How T. S. Eliot became T. S. Eliot. By Louis Menand. September 12, 2011. “In ‘The Waste Land,’ I wasn’t even bothering whether I understood what I was saying,” Eliot told an interviewer ...
Excerpts from reputable literary criticism of the following poems: The Love Song of J. Alfred Prufrock, Gernonition, The Waste Land, The Hollow Men, The journey of the Magi, Burnt Norton. An extended biography of T. S. Eliot by Ronald Bush. Modern American Poetry, Univ. of Illinois, Ed.
10 de jun. de 2021 · Eliot’s criticism presents each reassessment and reaction to earlier writers. He referred to himself as “a classicist in literature.”. His significant contribution is in opposition to romanticism and humanism, which introduced a classical revival in art and criticism. He sought to raise criticism to the extent of science.
T.S. Eliot was a renowned 20th century poet, playwright, and literary critic. As a critic, Eliot argued that the function of criticism is the "elucidation of works of art and the correction of taste." He believed criticism should be an impersonal process focused on analyzing the technical facts and traditions related to a work, rather than expressing the critic's own emotions. Eliot also ...
Summary. T. S. Eliot became a figure in the tradition he made himself famous by attacking. He was a critic of modern society and modern culture who ended up an icon with in the institution that is one of modernity's moments, the twentieth-century university. This is a fate that may have disappointed him, but it would probably not have surprised ...
3 March 1933. The reason why some criticism is good (I do not care to generalise here about all criticism) is that the critic assumes, in a way, the personality of the author whom he criticises, and through this personality is able to speak with his own voice. READ THE ESSAY →. ‘VI.
