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THIS ESSAY will not attempt to outline the considerable effect Wittkower's Architectural Principles had on Renaissance studies. My intention, instead, is to sketch the influence it had on the development and interpretation of Modern Architecture as reflected in theories of modular construction, theories of proportion and composition, and views of the internal, intrinsic cultural, or societal ...
Compre os livros de Rudolf wittkower, no maior acervo de livros do Brasil. Encontre aqui obras novas, exemplares usados e seminovos pelos melhores preços.
Rudolf Wittkower (1901–1971) was a German-American art historian. He was on the staff of the Warburg Institute, London, and became professor at the University of London. He then headed the Department of Fine Arts and Archaeology at Columbia. His highly original works in English include Architectural Principles in the A
1 de set. de 1994 · To date Rudolf Wittkower's Architectural Principles in the Age of Humanism of 1949 remains a fundamental evaluation of Renaissance architectural aesthetics. Although not unique in having achieved such paradigmatic status within its discipline, its simultaneous impact upon architectural production remains unprecedented. It is precisely the fact that this work captured the imagination of two ...
Equindi un "movente ideologico", che nasce da uno spiccato pathos da vero e proprio connoisseur d'architettura, a spingere Rowe a adattare i metodi di Wittkower all'architettura moderna nel saggio Mathematics, e in definitiva a non abbandonarli mai durante 103 Rudolf Wittkower e Colin Rowe: continuita e frattura Andrea Palladio. disegno per ...
PDF - Escultura. Com a ajuda de 180 magníficas fotografias, Rudolf Wittkower estudou o que une e o que diferencia os escultores através dos tempos, desde os mestres anônimos da Grécia arcaica e da Idade Média, passando pelos grandes nomes como Michelangelo, Cellini e Bernini, até Rodin, Brancusi e Henry Moore. Escultura.
28 de nov. de 2006 · Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists’ unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were ...
