Yahoo Search Busca da Web

Resultado da Busca

  1. A classic screwball comedy in which Russell plays reporter Hildy Johnson, who, on the eve of her remarriage, is talked into one more assignment by her editor and ex-husband, Grant.

  2. La signora del venerdì. La signora del venerdì ( His Girl Friday) è un film del 1940 diretto e prodotto da Howard Hawks, remake del film The Front Page . Rientrante nel genere della screwball comedy, nel 1993 è stato scelto per la conservazione nel National Film Registry della Biblioteca del Congresso degli Stati Uniti.

  3. 6 de jan. de 2017 · Picture 8/10. Howard Hawks’ His Girl Friday receives a new Blu-ray edition from the Criterion Collection, presenting it in the aspect ratio of 1.33:1 on the first dual-layer disc of this two-disc set. The 1080p/24hz high-definition presentation comes from a high-definition scan of a 35mm fine-grain master, which was sourced from a 35mm ...

  4. His Girl Friday (en Argentina, Ayuno de amor; en España, Luna nueva; en Venezuela, Mi asistente favorita) es una película de comedia screwball estadounidense de 1940, dirigida por Howard Hawks, con actuación de Rosalind Russell y Cary Grant y estrenada por Columbia Pictures . La trama se centra en el editor de un periódico llamado Walter ...

  5. I can understand why His Girl Friday is usually labelled, first and foremost, a screwball romantic comedy. There's certainly plenty going on in its last 20 minutes to support that labelling especially. But on this, my third viewing, I still remain resolutely unconvinced that this is a romantic comedy at all.

  6. 24 de jan. de 2018 · His Girl Friday (La Dame du vendredi) est une adaptation d’une célèbre pièce de théâtre nommée Front Page, écrite par le tandem Hecht et Mac Arthur, amis personnels d’Howard Hawks. Hecht fut par ailleurs un scénariste très prisé à Hollywood, et a travaillé à maintes reprises avec le réalisateur de The Big Sky (La Captive aux yeux clairs) .

  7. His Girl Friday, American screwball comedy film, released in 1940, that was director Howard Hawks’s innovative remake of The Front Page (1931). The lightning-fast repartee and prickly courtship of the film’s two leads made it a classic in the genre.