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19 de mar. de 2022 · By Lynn Garafola. Overshadowed in life and legend by her brother Vaslav Nijinsky, Bronislava Nijinska had a far longer and more productive career. An architect of twentieth-century neoclassicism, she experienced the transformative power of the Russian Revolution and created her greatest work - Les Noces - under the influence of its avant-garde.
1 de fev. de 2016 · Watch & Read She Said: Bronislava Nijinska. Bronislava Nijinska (1891-1972) was one of the most innovative choreographers of the 20th century although her reputation now rests largely on two of the ballets she created for Serge Diaghilev’s Ballets Russes, Les Noces (1923) and Les Biches (1924). At the time, she was the only woman ever to have ...
Finn Wilhelm Mathiesen. ThéâtredelaCité. Passé. Poursuivant ses recherches sur les figures saillantes de la modernité, Dominique Brun se tourne vers Bronislava Nijinska, première et unique femme chorégraphe des Ballets russes. S’appuyant sur une lecture éclairée des archives, elle reprend Les Noces et réinvente le Bolero.
Search results 1 - 40 of 210. Bronislava Nijinska Collection The collection of notable dancer, choreographer and teacher Bronislava Nijinska (1891-1972) contains a diverse variety of materials documenting dance and the arts in the twentieth century.
Bronislava Nijinska (8 January 1891 [old style 27 December 1890] – 22 February 1972) was a Russian ballerina, choreographer, and teacher of Polish descent. Her parents were dancers. She was one of three siblings and the sister of the famous ballet dancer , Vaslav Nijinsky .
19 de jan. de 2023 · None is more remarkable than Bronislava Nijinska, the radical dancer-choreographer sister of the legendary radical dancer-choreographer Vaslav Nijinsky. Yet Lynn Garafola’s La Nijinska: Choreographer of the Modern is the first full-length biography of this singular creator.
Bronislava Nijinska: A Legacy Uncovered. by Lynn Garafola. Although she choreographed over seventy ballets, for most of the twentieth centur y Bronislav a Nijinsk a has ha d a ba d press, whe n she ha s had a press at all. Andr é Levinson, reviewin g her 1923 masterpiec eLes Noces,raged that this "Marxist" creation had "debased" the art of the ...
