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SHAKESPEARE, William (1564-1616). Comedies, Histories and Tragedies. Published according to the true Originall Copies. The second Impression. Edited by John Heminge (d. 1630) and Henry Condell (d. 1627). London: Printed by Thomas Cotes, for Robert Allot, "at the signe of the Blacke Beare in Pauls Church-yard," 1632.Shakespeare's Second Folio, containing John Milton's first appearance in print ...
Shakespeare second folio Rare Books Collection, University of Melbourne Library William Shakespeare (English, 1564–1616) Mr. William Shakespeares comedies, histories, and tragedies. Published according to the true originall copies, the second impression (‘Shakespeare second folio’) London: Printed by Tho. Cotes for Robert Allot, 1632
The Second Folio is the 1632 edition of the collected plays of William Shakespeare. Printed by Thomas Cotes , it follows the First Folio of 1623. Subcategories
A second Folio was issued in 1632, containing ‘An Epitaph on…Shakespeare’ by Milton, which was his first published poem; a third Folio was issued in 1663, whose second impression of 1664 contained Pericles and six apocryphal plays; the fourth and last Folio was published in 1685.
Shakespeare's Second Folio, first issue, containing John Milton's first appearance in print—a fine copy in red morocco. Shakespeare’s collected works are considered the most important and influential in the English language, described by Samuel Johnson as “the mirrour of life” and by his contemporary Ben Jonson as “not of an age but for all time.”
The Second Folio contains John Milton’s first appearance in print, his anonymous epitaph to Shakespeare in 16 verses: “What neede my Shakespeare for his honour'd bones.” It appears on the same page as the eight-line “Upon the Effigies.”
10 de mai. de 2016 · The Second Folio was printed by Thomas Cotes in 1632 for the publishers John Smethwick, William Aspley, Richard Hawkins, Richard Meighen, and Robert Allot. Compared to the First Folio, the Second contains numerous textual changes and also includes the unsigned poem “An Epitaph on the Admirable Dramaticke Poet” by John Milton.
