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8 de set. de 2001 · Without Chris Difford—Squeeze’s lyricist extraordinaire, the Ira Gershwin to Tilbrook’s George—one might fear that The Incomplete Glenn Tilbrook might be a too-accurate title. But it isn’t.
In 2008, Tilbrook began working with a new group of musicians and released the four-track teaser Binga Bong!, which was filed under Glenn Tilbrook & the Fluffers. The first full-length from the new group, Pandemonium Ensues, was issued in March of 2009 and featured cameos by Johnny Depp and Vanessa Paradis (the couple did not appear on the same song, however).
4 de ago. de 2001 · Now Tilbrook is awaiting the U.S. release of his first solo album, "The Incomplete Glenn Tilbrook," for which he wrote songs, via e-mail, with Aimee Mann and Canadian troubadour Ron Sexsmith.
21 de ago. de 2021 · Glenn Martin Tilbrook (born 31 August 1957) is the lead singer and guitarist of the English band Squeeze, a band formed in the mid-1970s who broke through in the new wave era at the decade’s end. He generally wrote the melody for Squeeze’s songs, while his writing partner, Chris Difford, wrote the lyrics. In addition to his songwriting ...
18 de dez. de 2023 · It was during Squeeze’s second hiatus that Glenn Tilbrook released his debut solo album, The Incomplete Glenn Tilbrook, in 2001 (after the first break-up, Glenn and Squeeze lyricist/guitarist, Chris Difford continued to collaborate and released the imaginatively titled Difford & Tilbrook in 1984 before the band got back together again a year later … only to disband again in 1999).
Squeeze’s demise in 1998 (though not permanent) saw Glenn embark on a solo career that spawned the albums The Incomplete Glenn Tilbrook (2001) and Transatlantic Ping-Pong (2004), showcasing an ever-maturing songwriting talent (his first major works without the input of lyricist Difford) and the formation of his new band The Fluffers.
10 de mar. de 2024 · Tilbrook’s guitar playing, in particular, deserves more love. Simply put, he’s a quiet monster. First and foremost, he “plays the song.”. His solos, though often technically advanced, are not showy. They fit the tune. They’re hummable. They’re concise. They’re inventive. And they flow easily over the tricky chord changes that ...
