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  1. www.travessa.com.br › therese-raquin › artigoTherese raquin

    Considerada hoje uma das mais importantes obras do naturalismo francês, Thérèse Raquin foi recebida com um escândalo no momento de sua publicação em 1867. Émile Zola não chegou a ser processado como Flaubert ou condenado como Baudelaire – cujas obras, Madame Bovary e As flores do mal, respectivamente, também causaram celeuma quando foram lançadas dez anos antes –, mas recebeu ...

  2. Abstract. Thérèse Raquin is a clinically observed, sinister tale of adultery and murder among the lower orders in nineteenth-century Paris. Zola's dispassionate dissection of the motivations of his characters, mere ‘human beasts’ who kill in order to satisfy their lust, is much more than an atmospheric Second Empire period-piece.

  3. Émile Zola Thérèse Raquin. Wanneer Thérèse Raquin wordt gedwongen te trouwen met de ziekelijke Camille, ziet ze een sober leven voor zich dat elke avond naar hetzelfde koude bed leidt en elke ochtend naar dezelfde lege dag. Ontsnapping komt in de vorm van de vriend van haar man, Laurent, en Thérèse stort zich halsoverkop in een ...

  4. Key Facts about Thérèse Raquin. When Published: The novel was published in 1868, though it appeared in a serialized form in the magazine L’Artiste in 1867. Climax: At their wits’ end after killing Camille, Laurent and Thérèse separately decide to murder each other in the hopes of leading a more peaceful life.

  5. Summary. PDF Cite. Thérèse Raquin is a tale of lust, murder, and suicide set amid the poverty of mid-nineteenth century Left Bank Paris. It involves a classically limited cast of characters such ...

  6. 6 de nov. de 2018 · Résumé. Thérèse est une jeune fille née en Algérie, elle est l'enfant de la relation entre un capitaine de l'armée française et d'une mère originaire d'Afrique du Nord. Thérèse sera élevée par sa tante puisque sa mère va mourir alors que la petite Thérèse n'a que deux ans. Sa tante, Mme Raquin, a un fils, Camille, qui a des ...

  7. Jennifer Birkett. Thérèse Raquin, novel by Émile Zola, first published serially as Un Mariage d’amour in 1867 and published in book form with the present title in the same year. Believing that an author must simply establish his characters in their particular environment and then observe and record their actions as.