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T. S. Eliot. Thomas Stearns Eliot OM ( St. Louis, 26 de setembro de 1888 – Londres, 4 de janeiro de 1965) foi um poeta, dramaturgo e crítico de língua inglesa, considerado um dos representantes mais importantes do modernismo literário. [ 1] Recebeu o Prêmio Nobel de Literatura de 1948. [ 2]
T. S. Eliot's work demands much from his readers. The more the reader knows about his allusions and range of cultural reference, the more rewarding are his poems, essays and plays. This book is carefully designed to provide an authoritative and coherent examination of those contexts essential to the fullest understanding of his challenging and controversial body of work.
Hamlet and His Problems is an essay written by T.S. Eliot in 1919 that offers a critical reading of Hamlet. The essay first appeared in Eliot's The Sacred Wood: Essays on Poetry and Criticism in 1920. It was later reprinted by Faber & Faber in 1932 in Selected Essays, 1917-1932. [1] Eliot's critique gained attention partly due to his claim that ...
The 1948 winner of the Nobel Prize in Literature, T.S. Eliot is highly distinguished as a poet, a literary critic, a dramatist, an editor, and a publisher. In 1910 and 1911, while still a college student, he wrote “The Love Song of J. Alfred Prufrock,” published in Poetry magazine, and other poems that are landmarks in the history of modern literature.
5 de jul. de 2020 · So much did Eliot’s literary criticism begin to merge with social criticism, social criticism with religious criticism, and religious criticism with cultural criticism, that anyone would have to say that Notes towards the Definition of Culture, his last major published prose work, is a culmination of Eliot’s thinking to date on a wide range of issues, all of which can be safely gathered ...
18 de mai. de 2023 · T. S. Eliot: a collection of criticism by Wagner-Martin, Linda, comp. Publication date 1974 Topics Eliot, T. S. (Thomas Stearns), 1888-1965 -- Criticism ...
by T.S. Eliot. Few critics have even admitted that Hamlet the play is the primary problem, and Hamlet the character only secondary. And Hamlet the character has had an especial temptation for that most dangerous type of critic: the critic with a mind which is naturally of the creative order, but which through some weakness in creative power ...
