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Roger Eliot Fry (14 de diciembre de 1866 – 9 de septiembre de 1934) fue un artista y crítico inglés miembro del grupo de Bloomsbury. A medida que fue madurando como crítico se volvió un acérrimo defensor de la pintura francesa contemporánea, a la cual dio el nombre postimpresionismo . Nacido en Londres, hijo del juez Edward Fry, creció ...
Title: Self-Portrait. Creator: Roger Fry. Creator Lifespan: 1866-1934. Physical Dimensions: 61.7 x 45.7 cm. Type: Painting. Rights: Photo Ⓒ The Courtauld. External Link: Explore The Courtauld's collection. Medium: Oil paint on canvas. Acquisition Credit: Acquired by the Samuel Courtauld Trust with the assistance of the Art Fund and the ...
Roger Eliot Fry was born in 1866 in Highgate, London, into a wealthy Quaker family. While studying for a Natural Sciences degree at Cambridge, Fry's interest in art was encouraged by the Slade Professor J.H. Middleton and, much to his family's regret, he decided after university to pursue an artistic career rather than continue his scientific studies.
2 de mar. de 2021 · Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
Há 1 dia · Roger Fry is better known for his writing about art and for the exhibitions he organised, but he saw himself first and foremost as a painter. In 1891 he visited Italy to see the great art of the past. Through studying the old masters he learnt the importance of the structure of a composition (the arrangement of things within a painting).
31 de ago. de 2018 · BOOKS about Roger Fry:[1] ROGER FRY by Virginia Woolf --- https://bit.ly/2HpwuRg---In order for the LEARNFROMMASTERS project to continue its activity, YO...
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Roger Eliot Fry, the Bloomsbury painter, theorist and writer, was an expert in Italian Renaissance art and the curator of European painting at the famous Metropolitan Museum of Art, New York, before becoming one of the most influential art critics and a champion of modern French painting, for which he coined the term Post-Impressionism (c.1880-1905).
