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5 de jun. de 2019 · Thomas Gainsborough (1727–1788) Royal Academy of Arts. Furthermore, Gainsborough did not restrict himself to portraits: he was the only British eighteenth-century portraitist who painted landscapes with such originality and skill, and the only contemporary painter that outshone his reputation was the wilily Sir Joshua Reynolds.
Thomas Gainsborough war ein englischer Maler, der von 1727 bis 1788 lebte. Während das Rokoko, als verspielte Stilrichtung im Anschluss an den Barock, auf dem europäischen Festland zahlreiche, bisweilen sinnliche, Blüten trieb, gilt Gainsborough als der einzige englische Vertreter dieses Stils.
Há 4 dias · Thomas Gainsborough RA (1727 - 1788) A founding member of the Royal Academy and a rival of its first President, Sir Joshua Reynolds, Thomas Gainsborough was one of the leading portraitists of late 18th-century England. Unlike Reynolds, he was a favourite painter of King George III and Queen Charlotte.
Thomas Gainsborough achieved name and fame as the best-known English artist of the 18 th century for his outstanding innovations and techniques in both landscape and portraiture. Having been introduced to the Rococo style of art in the early part of his career, Gainsborough's works echoed luxury and leisure of aristocratic society through contemporary fashion.
26 de nov. de 2019 · Thomas Gainsborough – um dos mais notórios retratistas britânicos do século XVIII. Célebre por suas pinturas de retratos e paisagens, o pintor britânico Thomas Gainsborough é considerado um dos artistas mais importantes da segunda metade do século XVIII. Representante do Arcadismo, suas obras conquistaram a burguesia inglesa da época ...
トマス・ゲインズバラ. トマス・ゲインズバラ (Thomas Gainsborough, 1727年 5月14日 - 1788年 8月2日) は、 18世紀 の イギリス の 画家 。. ゲインズバラは今日でこそ優れた肖像画家として知られ、生涯に700点以上の肖像画を残しているが、故郷 サフォーク の風景や ...
Thomas Gainsborough died of cancer on August 2, 1788, at the age of 61. While on his deathbed he reconciled with Reynolds, his longtime rival. In a letter to him, the artist expressed his admiration and respect for the painter and his work. After his death, Reynolds wrote that the Royal Academy has lost ‘one of its greatest ornaments’.
