Resultado da Busca
Greek. Chevalier is a 2015 Greek comedy film directed by Athina Rachel Tsangari and co-written by Tsangari and Efthymis Filippou. It was screened in the Contemporary World Cinema section of the 2015 Toronto International Film Festival. [2] [3] It was selected as the Greek entry for the Best Foreign Language Film at the 89th Academy Awards but ...
29 de abr. de 2013 · This is ‘The CAPSULE’ (2012), the latest short film from Greek director and co-founder of HAOS Film, Athina Rachel Tsangari. We are both thrilled and honoured to be able to present the short, along with exclusive film stills and the first world-wide viewing of its, as of yet, alternative unreleased trailer exclusively on Yatzer.com today.
7 de out. de 2015 · For Athina Rachel Tsangari, making movies is mostly a matter of camaraderie. She simply, “found herself making movies” out of a sense of necessity and pleasure—what she calls a love affair between work and life. Tsangari’s talents span theater design (projecting images), as well as directing, writing, and producing films.
modifier - modifier le code - modifier Wikidata Athiná-Rachél Tsangári (grec moderne: Αθηνά-Ραχήλ Τσαγκάρη), née le 2 avril 1966 à Athènes , est une actrice , réalisatrice et productrice grecque . Biographie [modifier | modifier le code] Après une licence de littérature à l' université Aristote de Thessalonique , un MA à la Tisch School of the Arts de New York ...
Directed by Athina Rachel Tsangari. Produced by Haos Film. More here. The Lobster. feature film. Released in 2015 Written with Yorgos Lanthimos Directed by Yorgos ...
Athina Rachel TSANGARI (1966, Greece) studied Literature in Thessaloniki, Performing Arts in New York and Ethnographic Film in Austin, Texas. She played minor roles in Richard Linklater's Slacker (1991) and Before Midnight (2013) and was founder and artistic director of the Cinematexas International Film Festival.
1 de set. de 2011 · Athina Rachel Tsangari’s film is a beautifully observed, often playful, study of one woman’s alienation; Marina, awkward, naïve, contemptuous, slowly learns that she needs more than just her father and Bella. It’s a refreshing and unsentimental film about sex, relationships and death.
