Yahoo Search Busca da Web

Resultado da Busca

  1. 145 ratings17 reviews. Wallace Stevens did not publish his first book of poetry until the age of 44 and did not issue his second book, Ideas of Order, for over a decade. This rare signed limited edition of that crucial work features his illuminating meditation on art—“The Idea of Order at Key West”—along with 32 additional poems, each ...

  2. Blessed rage for order, pale Ramon, The maker’s rage to order words of sea Words of the fragrant portals, dimly-starred, And of ourselves and our origins, In ghostlier demarcations, keener sounds. Analysis, meaning and summary of Wallace Stevens's poem The Idea Of Order At Key West

  3. Wallace Stevens. She sang beyond the genius of the sea. The water never formed to mind or voice, Like a body wholly body, fluttering. Its empty sleeves; and yet its mimic motion. Made constant cry, caused constantly a cry, That was not ours although we understood, Inhuman, of the veritable ocean. The sea was not a mask.

  4. 3 de jul. de 2017 · 10. ‘ A Postcard from the Volcano ’. We conclude this pick of Wallace Stevens’s greatest poems with a post-apocalyptic poem, spoken by the victims of some cataclysmic event. Stevens gives voice to the dead in this powerful poem from 1935, spoken by the bones of the dead whose bodies were once as ‘quick as foxes on the hill’.

  5. 25 de abr. de 2016 · Peter Schjeldahl on the poet of “The Idea of Order at Key West,” and the book “The Whole Harmonium: The Life of Wallace Stevens,” by Paul Mariani.

  6. of "The Idea of Order at Key West," in a letter to Ronald Latimer, he writes: "The music of poetry which creates its own fictions is one of the 'sister- hood of the living dead.'. It is a muse: all of the muses are of that sister- hood." On the following day, again to Latimer, he writes: "No muses exist for me. ...

  7. Here, as frequently in Stevens, order is symbolized by language, which is sound given intelligible form. The singer utters the sea ‘word by word,’ transforming its inarticulate cry, its ‘dark voice,’ into the rhythmic and expressive language of the ‘maker’ or poet. The resultant order is founded on reality, expressive of ‘the ...