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Julia Prinsep Stephen (née Jackson, formerly Mrs Duckworth) by The London Photographic Company albumen print on card, circa 1867 3 5/8 in. x 2 1/4 in. (91 mm x 56 mm) image size Given by Cordelia Curle (née Fisher), 1959 Photographs Collection NPG x18076
Leslie Stephen, Julia’s future second husband, later recorded hearing news of the engagement when he was dining with his fiancée Minny Thackeray and her sister Anny: … Val Prinsep was one of the party. He announced to us the news of Julia Jackson’s engagement to Herbert Duckworth.
Julia Prinsep Stephen’s influence on Woolf is both more nebulous and more all-encompassing than that of Cameron and Ritchie. Woolf frequently felt her presence, ‘there she is; beautiful, emphatic, with her familiar phrase and her laugh; closer than any of the living are’ ( Rem: 40). She draws attention to her through the deictic ‘There ...
Julia Stephen. Julia Stephen von Jacques-Emile Blanche. Julia Prinsep Stephen (* 7. Februar 1846; † 5. Mai 1895 ), geb. Jackson, war eine englische Philanthropin und präraffaelitisches Modell. Sie war die Ehefrau von Leslie Stephen und die Mutter von Virginia Woolf und Vanessa Bell, Mitglieder der Bloomsbury Group .
At Little Holland House the culte of beauty continued from the Pattle sisters into the next generation. Like most of her aunts, it was Julia’s beauty which, of all her characteristics, was most remarked upon, even as a child. From the beginning she was usually portrayed as a vision – as ethereal, idealised and elusive.
While Sara and Thoby Prinsep were busy moving to Little Holland House, 1 Mia Jackson continued her visits to health resorts. She and her daughters spent the winter of 1850-1851 in Brussels and Julia’s fifth summer was again in Spa, this time with a group of other Pattle aunts and cousins.
Julia Prinsep Stephen 109 Woolf did however have evidence of a very different construct of her mother. Leslie Stephen notes that ‘the beautiful series of portraits taken by Mrs. Cameron’ give her children an impression of ‘what she really was. To us, who remember her distinctly, they recall her like nothing else’ (MB: 32).
