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31 de dez. de 2013 · Raymond Williams' last novel is an imaginary history of Wales from Roman times to the Middle Ages. It is an expansive, profound and insightful panorama of ordinary human life, played out in the foothills of the Black Mountains.
Nestled along the western edge of the US state of North Carolina, near its border with Tennessee, the Black Mountains are a small mountain range that’s only about 15 miles (24km) long. However, with nearly half of its peaks cresting over 6,000 feet (1,828m), the Black Mountains are among the tallest in the eastern part of the United States.
Kalkajaka ("Black Mountain") is a heavily significant feature of the Kuku Nyungkal people's cultural landscape. Kalkajaka translates to "place of the spear". Queensland's Department of Environment and Natural Resources has been advised of at least four sites of particular mythological significance within the area as follows:
People of the Black Mountains by Raymond Williams, February 1992, HarperCollins Publishers edition, Paperback People of the Black Mountains by Raymond Williams | Open Library It looks like you're offline.
Raymond Williams was married in 1942, had three children, and divided his time between Saffron Walden, near Cambridge, and Wales. He died in 1988. Raymond Williams' last novel is an imaginary history of Wales from Roman times to the Middle Ages. It is an expansive, profound and insightful panorama of ordinary human life, played out in the ...
6 de fev. de 1992 · Beautifully rooted in the topography and history of the Black Mountains, Raymond Williams’ history blends research and fiction. The characters who people the past of this area are alive in their era, but I wished for more insight into the ways they felt and interacted and was a little disappointed by the set pieces of discourse that outlined historical events.
- Raymond Williams
People of the Black Mountains and the Politics of Theory John Connor Abstract: In this essay I situate Raymond Williams’s historical novel trilogy, People of the Black Mountains, in a late-century historical conjuncture and structure of feeling. I address Williams’s attempt to solve the problem of genre:
