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  1. Langston Hughes , Click to preview. A collection of vibrant and incisive short stories depicting the sometimes humorous, but more often tragic interactions between Black people and white people in America in the 1920s and ‘30s. One of the most important writers to emerge from the Harlem Renaissance, Langston Hughes may be best known as a poet ...

  2. Compre The Ways of White Folks: Stories (Vintage Classics) (English Edition) de Hughes, Langston na Amazon.com.br. Confira também os eBooks mais vendidos, lançamentos e livros digitais exclusivos.

  3. FATHER AND SON By Dolan Hubbard - JSTOR WEB"Father and Son," the last story in The Ways of White Folks (1934), is the American tragedy of color caste told against the background of an ostensibly idyllic South. Set on the Norwood plantation in south Georgia in the 1930s, "Father and Son" is replete with the classic picture of plantation ...

  4. Summary. This chapter discusses the dynamics between Black artists and white patrons during the Harlem Renaissance told through the turbulent relationship between Langston Hughes and his literary “Godmother,” Charlotte Osgood Mason. The chapter begins with a discussion of Hughes’s groundbreaking 1926 essay, “The Negro Artist and the ...

  5. The Ways of White Folks - Ebook written by Langston Hughes. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read The Ways of White Folks.

  6. The Ways of White Folks. Paperback – 29 Sept. 2022. A black maid forms a close bond with the daughter of the cruel white couple for whom she works. Two rich, white artists hire a black model to pose as a slave. A white-passing boy ignores his mother when they cross each other on the street.

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    • Langston Hughes
  7. 8 de jun. de 2017 · the ways in which he uses parody and satire as a form of social protest deserves more attention. Beyond Hughes's insurrectionary verse, we might look to The Ways of White Folks, a brilliant collection of satirical short stories composed in the wake of his rift with his wealthy white patron, Mrs. Charlotte Osgood Mason, in 1930 (Rampersad 185-88).