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31 de dez. de 2023 · Thomas Lawrence. (Born Bristol, 13 April 1769; died London, 7 January 1830). The outstanding English portrait painter of his generation. Lawrence was a child prodigy and was almost entirely self-taught. He was also handsome and charming, and after a resounding early triumph with his portrait of Queen Charlotte (1789–90, NG, London) he never ...
Thomas Lawrence (13 de abril de 1769 - 7 de enero de 1830) es considerado como uno de los mejores retratistas ingleses de su generación. Nació en Bristol. Niño prodigio, fue casi por entero autodidacta, aunque pasó algún tiempo como alumno en la Royal Academy de Londres.
Sir Thomas Lawrence. New Haven, 2005, pp. 9, 118, 248, 250–52, 316, 318, 334 nn. 50, 52, 54, 56, colorpl. 134, suggests that an etching after Carlo Maratta of the Christ Child flanked by angels may have influenced the composition, also mentioning Reynolds's "Puck" (Executors of 10th Earl Fitzwilliam) as a source for Laura Anne's frontal pose and upraised hand; refers to the younger girl as ...
English, 1769 - 1830. Follow. Sir Thomas Lawrence PRA FRS was a leading English portrait painter and the fourth president of the Royal Academy. Lawrence was a child prodigy. He was born in Bristol and began drawing in Devizes, where his father was an innkeeper at the Bear Hotel in the Market Square. At the age of ten, having moved to Bath, he ...
He was never married.Sir Thomas Lawrence had all the qualities of personal manner and artistic style necessary to make a fashionable painter, and among English portrait painters he takes a high place, though not as high as that given to him in his lifetime. His more ambitious works, in the classical style, such as his once celebrated Satan, are ...
^ Lawrence is shown second from left seated (number 6) in Henry Singleton's The Royal Academicians in General Assembly （頁面存檔備份，存於網際網路檔案館）, 1795 ^ Lawrence, Sir Thomas Dictionary of national biography, vol. 32, 1892: 278–285 ^ Levey 2005: 137 ^ Library and Archive Catalog: Lawrence, Sir Thomas (1769–1830).
At Lawrence’s death, various of his sitters’ robes and decorations remained in his studio for the completion of portraits: the sword Wellington wore at Waterloo, Lord Combermere’s military belt, Lord Hertford’s Garter star and various of George IV’s foreign decorations (Michael Levey, Sir Thomas Lawrence, exh.cat., National Portrait Gallery, 1979, pp.11-12).
