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21 de jul. de 2022 · Il dipinto intitolato Pigmalione e Galatea di Agnolo Bronzino si trova alla Galleria degli Uffizi di Firenze. L’artista e la società. La storia dell’opera Pigmalione e Galatea di Agnolo Bronzino. L’artista dipinse l’opera verso il 1529 – 1530 intorno all’età di 30 anni. È considerata quindi un’opera giovanile del Bronzino.
11 de jul. de 2023 · One fine day, Pygmalion carved the statue of a woman of unparalleled beauty. She looked so gentle and divine that he could not take his eyes off the statue. Enchanted with his own creation, he felt waves of joy and desire sweeping over his body and in a moment of inspiration he named the figurine, Galatea, meaning "she who is white like milk".
escultor. [ editar datos en Wikidata] Pigmalión es una figura de la mitología de Chipre. Aunque Pigmalión es la versión griega del nombre real fenicio Pumayyaton, es más familiar a partir de Las metamorfosis de Ovidio, obra en la que se presenta a Pigmalión como un escultor enamorado de una estatua que había hecho él mismo.
18 de jan. de 2023 · Pygmalion and Galatea IV: The Soul Attains Sir Edward Burne-Jones, Pygmalion and Galatea IV – The Soul Attains, Birmingham Museum and Art Gallery, UK. As soon as Pygmalion comes home, he can see the difference in Galatea’s face, since he had spent all of those nights just looking at her beauty endlessly.
Pygmalion and Galatea. Jean-Léon Gérôme French. ca. 1890. On view at The Met Fifth Avenue in Gallery 800. Between 1890 and 1892, Gérôme made both painted and sculpted variations on the theme of Pygmalion and Galatea, the tale recounted in Ovid’s Metamorphoses. All depict the moment when the sculpture of Galatea was brought to life by the ...
Pigmalione e Galatea (Girodet) Pigmalione e Galatea ( Pygmalion amoureux de sa statue o Pygmalion et Galatée) è un dipinto di Anne-Louis Girodet del 1819 che riprende il mito di Pigmalione e Galatea, descritto da Ovidio nelle sue Metamorfosi. Si tratta dell'ultima opera di Girodet e si trova al museo del Louvre. [1]
It is an excellent example of Ovids way of dressing up a myth. A gifted young sculptor of Cyprus, named Pygmalion, was a woman-hater. Detesting the faults beyond measure which nature has given to women, he resolved never to marry. His art, he told himself, was enough for him. Nevertheless, the statue he made and devoted all his genius to was ...
