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Claude McKay. Festus Claudius "Claude" McKay ( Clarendon, 15 de setembro de 1889 — Chicago, 22 de maio de 1948) foi um escritor e poeta jamaicano - americano, que foi uma figura seminal no Renascimento do Harlem. [ 1]
Nacido el 15 de septiembre de 1889 en Clarendon ( Jamaica ), con antepasados de los pueblos ashanti y malgache, McKay comenzó la educación básica en la iglesia a la que asistían sus padres. Cuando tenía 16 años, fue enviado a vivir con Uriah Theodore, su hermano mayor, quien era maestro. Junto a él, McKay desarrolló su amor por la lectura y la escritura.
McKay was introduced to British Fabian socialism in his teens by his elder brother and tutor Uriah Theodore, and after moving to the United States in his early 20s encountered the American socialist left in the work of W. E. B. Du Bois and through his membership in the Industrial Workers of the World (IWW) — the only American left-labor organization of the era that was totally open to Negro ...
Claude McKay was one of the most influential figures of Harlem Renaissance in America. He was also a prominent figure in the broader literary world in the 1920s. He is the author of books including ‘ Songs of Jamaica ,’ ‘ Harlem Shadows ,’ and ‘ Selected Poems .’ Throughout his poetic career, he was dedicated to expressing the unique perspective of Black Americans.
POEMAS DE CLAUDE MCKAY Resultado de imagen para claude mckay" (15 de septiembre de 1889, Parroquia de Clarendon, Jamaica - 22 de mayo de 1948, Chicago, Illinois, Estados Unidos) RECUERDO DE JUNIO....
By Dr Oliver Tearle (Loughborough University) ‘America’ is a 1921 poem by Claude McKay (1889-1948), a Jamaican-American poet who is often regarded as the first major poet of the Harlem Renaissance. In ‘America’, McKay offers an ambivalent and deeply critical appraisal of the United States of America in the 1920s. Let’s go through the ...
28 de mar. de 2014 · McKay's “violent sonnets,” poems defying the Victorian fallacy that antagonism is fundamentally unpoetic, have dominated talk of his importance to African American literature in the post-Renaissance era. Interestingly, the stylistic modernism of McKay's work remains less established than that of Hughes. The Jamaica-to-Harlem range of McKay ...
