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  1. Alfred Stieglitz The Steerage 1907 Not on view; Medium Photogravure Dimensions 13 1/8 × 10 3/8" (33.3 × 26.4 cm) Credit Transferred from The Museum ...

  2. Alfred Stieglitz 1907. Though it was captured in the blink of an eye, The Steerage is one of the most enduring artworks in the history of photography and the seminal work of artist Alfred Stieglitz ’s famed career. Contrary to myth, it is not a document of immigrants arriving in the United States nor disillusioned Europeans returning home.

  3. Summary of Alfred Stieglitz. A vital force in the development of modern art in America, Alfred Stieglitz's significance lies as much in his work as an art dealer, exhibition organizer, publisher, and editor as it does in his career as a photographer. He is credited with spearheading the rise of modern photography in America in the early years ...

  4. As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.. API. Public domain data for this object can also be accessed using the Met's Open Access API.

  5. The ship was going from New York City to Bremen, Germany, and the people in the steerage deck scene could be skilled craftsmen and their families heading home after working on temporary visas. Stieglitz first published the photo in 1911 in Camera Work, while he was moving away from pictorialism and into more abstract art photography.

  6. 10 de nov. de 2012 · This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope The Steerage, by Alfred Stieglitz. See its nomination here . If you have an image of similar quality that can be published under a suitable copyright license , be sure to upload it, tag it, and nominate it .

  7. Twenty-five years after making this photograph, Alfred Stieglitz recalled the moment in vivid detail, no doubt aided by the information provided within the frame. He had wandered down from the first-class deck to survey the jumbled scene of teeming passengers in the steerage, or economy class, section, which contrasted sharply with "the mob called the 'rich'" that he had left behind.