Resultado da Busca
Erich Pommer Institut gGmbH. Medienrecht. Medienwirtschaft. Medienforschung. Marlene-Dietrich-Allee 12A. D-14482 Potsdam. Bitte geben Sie Ihre E-Mail-Adresse ein.
Erich Pommer (20. jul 1889 – 8. maj 1966) bio je njemački filmski producent, poznat po tome što je producirao neke od najznačajnijih ostvarenja njemačke kinematografije u nijemoj i na početku zvučne ere, odnosno bio jedna od najuticajnijih ličnosti evropske kinematografije u međuratnom periodu.
Especially film production is affected by significant changes with which we have to deal in order to be prepared for the present and the future. Through the master's degree programme I have gained valuable impulses from lecturers - from the media industry as well as from an academic environment. Find the right training for you now!
Especially film production is affected by significant changes with which we have to deal in order to be prepared for the present and the future. Through the master's degree programme I have gained valuable impulses from lecturers - from the media industry as well as from an academic environment. Find the right training for you now!
La Taverna della Giamaica fu girato tra l'inizio di settembre e la metà di ottobre dell'anno 1938; la prima in Gran Bretagna si ebbe il 20 maggio 1939.. Prima di partire per l'America, Hitchcock ricevette un'allettante offerta dall'attore Charles Laughton e dal produttore tedesco Erich Pommer.
Erich Pommer (20 July 1889 – 8 May 1966) was a German-born film producer and executive. Pommer was perhaps the most powerful person in the German and European Film Industries in the 1920s and early 1930s.[1] As producer, Erich Pommer was involved in the German Expressionist film movement during the silent era. As the head of production at Decla Film, Decla-Bioscop and from 1924 to 1926 at ...
The producer of Dr. Mabuse, Erich Pommer, saw the film as a depiction of the contemporary conflict between the liberal conservatives and the Marxist Spartacists in which the Mabuse character represented the Spartacists, yet another view saw populist themes in the film. Another theme in the film is surveillance and seeing without being seen.
