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  1. 19 de nov. de 2019 · Esquerita and the Voola. n the early 1950s, Richard Penniman, who would soon become famous as Little Richard, liked to sit around an all-night restaurant in the bus station in Macon, Georgia, and watch people come in. Oh boy!, he thought, when he saw an imposing, six-foot-two figure descend from the bus: It was Eskew Reeder, another gay, Black ...

  2. We’re talking about Greenville, South Carolina’s own trailblazer, Eskew Reeder Jr., better known as Esquerita. It’s impossible not to hear echoes of Little Richard on Esquerita’s most raucous numbers, like the careening 1958 raver “Rockin’ the Joint” or 1959’s “Hey Miss Lucy,” which features the lines, “Hey Miss Lucy, you’re too fat and juicy for me.”

  3. 13 de mar. de 2010 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

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  4. music.youtube.com › channel › UCZUrRXW5fexXQn-PU_8cfjQEsquerita - YouTube Music

    Esquerita. Eskew Reeder, Jr., usually known by the stage name Esquerita, and occasionally as S.Q. Reeder or The Magnificent Malochi, was an American R&B singer, songwriter and pianist, known for his frenetic performances. He has been credited with influencing rock and roll pioneer Little Richard.

  5. 27 de jun. de 2020 · Esquerita pudo haber llegado tan lejos como Little Richard. De hecho, sus trayectorias fueron casi paralelas: ambos eran músicos negros y abiertamente gais, surgidos en los 50 en las áreas más ...

  6. Esquerita discography and songs: Music profile for Esquerita, born 20 November 1935. Genres: Rock & Roll, Rhythm & Blues. Albums include Esquerita!, Vintage Voola, and Rockin' the Joint / Esquerita and the Voola.

  7. Inclusive, no ato do encontro com Little Richard, Esquerita, ainda como Skew, se apresentava ao lado de uma cantora gospel. A sonoridade, o estilo e a energia apresentadas por Little Richard podem ser ouvidas no som de Esquerita, que não levou o devido crédito por muitos anos pela falta de gravações da sua obra.