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  1. Nelson Riddle Conducts The 101 Strings (Marble Arch, 1970) [8] Communication ( MPS, 1971) Changing Colors (MPS, 1972) Vive Legrand! (Daybreak, 1973) The Look of Love (Bulldog, 1982) Romance, Fire and Fancy (Intersound, 1983) The Silver Collection (MPS, 1984) [9] With Nat King Cole.

  2. Born June 1, 1921 in Oradell, NJ, Nelson Smock Riddle studied piano as a child, later switching to trombone at the age of 14. After getting out of the service, he spent 1944-1945 as a trombonist with the Tommy Dorsey Orchestra, also writing a couple of arrangements (“Laura”, “I Should Care”). By the end of 1946, with the help of good ...

  3. Nelson Smock Riddle was born June 1, 1921 in Oradell. He began studying piano as a child and then switched to trombone when he was 14. After leaving the military, he worked as a trombonist for the Tommy Dorsey orchestra, writing several arrangements (“Laura”, and “I Should Care”), until he retired in 1945. With the help of Bob Bain, he ...

  4. Born June 1, 1921 in Oradell, NJ, Nelson Smock Riddle studied piano as a child, later switching to trombone at the age of 14. After getting out of the service, he spent 1944-1945 as a trombonist with the Tommy Dorsey Orchestra, also writing a couple of arrangements (“Laura”, “I Should Care”). By the end of 1946, with the help of good ...

  5. Nelson Riddle (Oradell, 1º giugno 1921 – Los Angeles, 6 ottobre 1985) è stato un arrangiatore, direttore d'orchestra e compositore statunitense. È stato uno dei più grandi e originali arrangiatori e compositori swing , pop e jazz tra gli anni cinquanta e gli anni ottanta.

  6. Nelson Smock Riddle Jr. was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid-1980s. He worked with many vocalists at Capitol Records, including Frank Sinatra, Ella Fitzgerald, Nat King Cole, Judy Garland, Dean Martin, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith.

  7. 6 de jul. de 2023 · Nelson Riddle - arranger (1921 - 1985) Nelson Riddle was one of the greatest arrangers in the history of American popular music. He worked with many of the major pop vocalists of his day, but it was his immortal work with Frank Sinatra, particularly on the singer’s justly revered Capitol concept albums, that cemented his enduring legacy.

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