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In Hound Dog Eric Weisbard examines the racial, commercial, and cultural ramifications of Elvis’s appropriation of a Black woman’s anthem. He rethinks the history and influences of rock music in light of Rolling Stone 's replacement of Presley’s “Hound Dog” with Thornton’s version in its 2021 “500 Greatest Songs of All Time” list.
10 de nov. de 2022 · Leigh H Edwards; Eric Weisbard, Songbooks: The Literature of American Popular Music, American Literary History, Volume 34, Issue 4, 18 November 2022, Pages
24 de mai. de 2021 · The book: Songbooks: The Literature of American Popular Music (Duke University Press) by Eric Weisbard ’88 compiles and critiques prominent American music writing on the most popular music through the decades. From William Billings' 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded Weisbard connects memoirs, biographies, and song ...
27 de jun. de 2024 · To reread the Spin Alternative Record Guide (Weisbard Reference Weisbard and Marks 1995), which started with an Abba entry, is to see in Rob Sheffield and Ann Powers capsules what pretty soon would be called poptimism; they too had theory training, like such fellow entry writers as wry future novelists Colson Whitehead and James Hannaham, or Alex Ross, New Yorker critic of classical alongside ...
27 de nov. de 2014 · Eric Weisbard University of Chicago Press , Nov 27, 2014 - History - 329 pages If you drive into any American city with the car stereo blasting, you’ll undoubtedly find radio stations representing R&B/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format.
ERIC WEISBARD The University of Alabama, Department of American Studies, Tuscaloosa, AL 35487, USA E-mail: EWeisbard@ua.edu Abstract Popular music writing has made for strange colleagues and quickly lost legacies. I want to sketch some of them and suggest how they continue to influence the US version of popular music studies,
