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  1. 31 de dez. de 2000 · Forster wrote only six novels, all prior to 1925 (although Maurice was not published until 1971, a year after Forster's death, probably because of its homosexual theme). For much of the rest of his life, he wrote literary criticism (Aspects of the Novel) and nonfiction, including biographies (Goldsworthy Lowes Dickinson), histories, political pieces, and radio broadcasts.

  2. Aspects of the Novel. E. M. Forster's guide sparkles with wit and insight for contemporary writers and readers. With lively language and excerpts from well-known classics, Forster (author of A Passage to India, Howards End, and A Room With a View) takes on the seven elements vital to a novel: story, people, plot, fantasy, prophecy, pattern, and ...

  3. E.M. Forster’s Aspects of the Novel is a collection of lectures he held at Trinity College in 1927. This book comprises of the author’s note, an introduction, a chapter on the story, two on characters, one on plot, fantasy, prophecy, patterns and rhythm and a conclusion. In the Introduction, Forster defines the novel and its length, then ...

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  4. Buy Aspects of the Novel (Penguin classics) New ed by Forster, E.M., Stallybrass, Oliver, Kermode, Frank (ISBN: 9780141441696) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.

    • E.M. Forster, Oliver Stallybrass
  5. ASPECTS OF THE NOVEL. Paperback – September 14, 1956. E. M. Forster's guide sparkles with wit and insight for contemporary writers and readers. With lively language and excerpts from well-known classics, Forster (author of A Passage to India, Howards End, and A Room With a View) takes on the seven elements vital to a novel: story, people ...

    • E.M. Forster
  6. 24 de ago. de 2011 · Aspects of the Novel also discusses the difference between story and plot, the characteristics of prophetic fiction, and narrative chronology. Throughout, Forster draws on his extensive readings in English, French and Russian literature, and discusses his ideas in reference to such figures as Joyce, Tolstoy, Dostoevsky, James, Sterne, Defoe and ...

  7. Aspects of the Novel, E. M. Forster's 1927 treatise on the "fictitious prose work over 50,000 words" is, it turns out, for anyone with the faintest interest in how fiction is made. Open at random, and find your attention utterly sandbagged. Forster's book is not really a book at all; rather, it's a collection of lectures delivered at Cambridge ...