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Há 4 dias · This was the generous poet's scope, And all an English pen can hope, To make the fair approve his flame, That can so far extend their fame. Verse, thus designed, has no ill fate If it arrive but at the date Of fading beauty; if it prove But as long-lived as present love.
Há 4 dias · Question 1 of 10. 1. This early modernist author wrote a number of pessimist novels in the late 19th century. Due to the hostile reception of his latest novel he decided to start writing poetry (again). Although he is far more known for his novels, you may also remember him from the following poems: 'Hap', 'The Darkling Thrush', 'A Trampwoman's ...
Há 2 dias · However, the Oxford English Dictionary cites examples of "[God] send (a person) safe, victorious, etc." meaning "God grant that he may be safe, etc.". There are also examples of early 18th-century drinking glasses which are inscribed with a version of the words and were apparently intended for drinking the health of King James II and VII.
Há 2 dias · London, Michael Joseph, 1994, ISBN: 9780718133078; 640pp. Eric Hobsbawm has written a book which has been rightly acclaimed as setting the standard for accounts of the Twentieth Century. We can expect such books to proliferate as we approach the end of the millennium. Few will be able to match the powerful analysis and broad sweep of this book.
Há 3 dias · A new book by Emeritus Professor W John Morgan will published in October 2024. Cultural Cold Wars and UNESCO in the Twentieth Century addresses the now considerable interest in the concept of cultural cold war as a means of advancing ideologies. Description. The book charts the development of the concept in the 20th century.
Há 5 dias · This aspiration was most strongly expressed during the two great catastrophes of modern Irish history, the 1798 Rising and the Great Famine, but was gradually abandoned thereafter. De Nie thus claims, for example, that British press opinion about the Famine was profoundly influenced by ideas about Irish incapacity.
Há 4 dias · Peter H. Hoffenberg discusses the linkages between the exhibitions and imperialism, noting that while the nineteenth and early twentieth-century world’s fairs propagandized imperial ideologies, they could also generate anti-imperial interpretations amongst contemporaries that undermined the imperial narratives.
