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O Palácio de Stenhammar (SUECO Stenhammars slott) é um palácio real da Suécia. Esta casa senhorial está situada fora da cidade de Flen em Södermanland a cerca de 120 quilômetros/quilómetros ao sul de Estocolmo e é uma das residências de verão do rei sueco. Foi construído no século XVII e reconstruído em 1849. [1] [2] [3]
Stenhammar is a palace and mansion located outside Flen in Södermanland County, Sweden, about 120 kilometers southwest of Stockholm. It is situated right by the Western Main Line railway ( Västra stambanan ). Stenhammar is owned by the State and it has been leased to King Carl XVI Gustaf since 1966, but is not considered a crown palace.
O Palácio de Stenhammar é um palácio real da Suécia. Esta casa senhorial está situada fora da cidade de Flen em Södermanland a cerca de 120 quilômetros/quilómetros ao sul de Estocolmo e é uma das residências de verão do rei sueco. Foi construído no século XVII e reconstruído em 1849.
- 1871−94: Education and Breakthrough
- 1895−1900: from ‘Dreams of Grandeur’ to ‘Compositional Factory Labourer’
- 1900−10: from Stockholm, Via Florence to Gothenburg
- 1910−27: Counterpoint Studies and Final Years
- Chamber and Piano Music
- Orchestral Works with and Without Solo Instruments
- Larger Scale Vocal Works
- Songs
Wilhelm Stenhammar was one of the formative figures of turn–of–the–century Swedish music. He was raised in a family that had its roots in Östergötland but that had been part of Stockholm’s upper bourgeoisie since the 1860s. Already as a teenager he composed songs and piano sonatas, and even started an opera (which remained unfinished). He also supp...
During the years of his breakthrough and spurred on by Hennings’ extravagant entrepreneurial drive, Stenhammar experienced what might be termed dreams of grandeur. On his marriage to artist Helga Marcia Westerberg, Stenhammar managed to negotiate a contract with Hennings on an annual composer’s fee that would form the financial base of his future f...
Henceforth, concert performances and conducting became Stenhammar’s main source of income. For the 1900−01 season he was engaged as chief conductor of the Kungliga Teatern (the Royal Opera). On 29 November 1900, he was voted into the Kungliga Musikaliska akademien (the Royal Swedish Academy of Music) as member no. 501. As the years passed, Stenhamm...
The years around 1910 saw another change of tack for Stenhammar in his compositional technique, as he launched himself into counterpoint following Heinrich Bellermann’s textbook Der Contrapunkt.He began his extensive studies in 1909 and continued them until 1918 mostly in the spring and summer. In a letter to fellow composer Bror Beckman from 1911,...
Chamber music runs like a thread through Stenhammar’s biography. Four string quartets and a violin sonata saw the light of day as early as the 1890s. While the String Quartet no.1 in C major op. 2 adheres to the international genre standard, modelled especially on Johannes Brahms’s op. 51, his String Quartet no. 2 in C minor op. 14 is more experime...
Stenhammar’s breakthrough work, the Piano Concerto no. 1 in B minor op. 1, testifies to his familiarity with Brahms’s piano music and to his firm grasp of form and orchestral timbre. In the Piano Concerto no. 2 op. 23 (1907), Stenhammar brings the conflict between the orchestra and the soloist to a head; in the first movement’s reprise, they even p...
Both of Stenhammar’s two operas are from the 1890s. Gildet på Solhaug (1896), a literaturoper based on a play by the young Henrik Ibsen, may primarily be regarded as a ‘staged ballad in through-composed musical form’ (Bo Wallner). Tirfing(1898), on the other hand, with its casting in Norse mythology, is intended to represent the grand national musi...
Stenhammar’s songs earned unanimous admiration amongst contemporary singers and composers. Back in his teenage years he composed songs to lyrics by Heinrich Heine (including ‘Ein Fichtenbaum steht einsam’, op. 17 no. 3), J.P. Jacobsen, Oscar Levertin and J. L. Runeberg. The song cycle Visor och stämningarop. 26, comprising ten songs mostly composed...
Stenhammar was born in Stockholm and was the brother of architect Ernst Stenhammar. He received his first musical education in Stockholm. He then went to Berlin to further his studies in music. He became a glowing admirer of German music, especially Richard Wagner and Anton Bruckner. Stenhammar himself described the style of his First Symphony ...
Media in category "Stenhammar slott". The following 24 files are in this category, out of 24 total. Prins Wilhelm på Stenhammar 1960-tal.jpg 1,605 × 1,945; 1.13 MB. Stenhammar 1685.jpg 540 × 388; 35 KB. Stenhammar 1685a.jpg 984 × 660; 111 KB. Stenhammar 1890-tal.JPG 673 × 440; 96 KB.
17 de fev. de 2024 · Obra foi projetada pelo arquiteto Oscar Niemeyer e concluída em abril de 1960. O Palácio do Planalto, edifício sede da Presidência da República do Brasil, é o local destinado ao exercício das atividades presidenciais e, portanto, das decisões a serem tomadas para o país.
