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2 de nov. de 2020 · I Confess by Moyra Davey — with Dancing Foxes Press, Pradeep Dalal, Cason Sharp, and Dalie Giroux - YouTube. Printed Matter, Inc. 2.18K subscribers. Subscribed. 2. 543 views 3 years ago....
- 88 min
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- Printed Matter, Inc.
Compre online Moyra Davey: I Confess, de Davey, Moyra, Giroux, Dalie, Kunard, Andrea na Amazon. Frete GRÁTIS em milhares de produtos com o Amazon Prime. Encontre diversos livros escritos por Davey, Moyra, Giroux, Dalie, Kunard, Andrea com ótimos preços.
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Moyra Davey: I Confess. Copublished with the National Gallery of Canada in 2020. With text by Text by Moyra Davey, Dalie Giroux, Andrea Kunard. Design by Santiago da Silva. 168 pages, 90 color images, softcover with flaps, 6 ¾ x 9 ½ inches. ISBN: 978-0-8888499-6-0. $39.95. Add to cart.
Published to accompany the exhibition Moyra The Faithful at the National Gallery of Canada, this deeply personal and highly political book seeks to examine an unresolved chapter of Québécois history from a uniquely interdisciplinary perspective that draws attention to contemporary issues of separatism, while reflecting the artist's ...
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- Paperback
15 de set. de 2020 · Text by Moyra Davey, Dalie Giroux, Andrea Kunard. Moyra Davey’s artist’s book meditation on late 20th-century Quebec, through the lens of James Baldwin and others. Over the past 40 years, Canadian artist Moyra Davey (born 1958) has perfected a unique synthesis of photography, film and text to critically engage with the past ...
15 de set. de 2020 · Moyra Davey: I Confess Paperback – September 15, 2020. by Moyra Davey (Artist), Dalie Giroux (Contributor), & 1 more. 5.0 8 ratings. See all formats and editions. Paperback. $29.95 2 Used from $29.16 4 New from $25.95. Moyra Davey’s artist’s book meditation on late 20th-century Quebec, through the lens of James Baldwin and others.
- Paperback
Greta Hamilton reviews _I Confess_ (2020) by Moyra Davey, co-published by Dancing Foxes Press and the National Gallery of Canada. In response to this meditation on Quebec’s settler-independence formations, James Baldwin, and the artist’s upbringing in a Quebec Catholic school, Hamilton questions the political implications of Davey’s distantiated style and citational practices.
