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In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as “The Basterds” are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis.
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Crew - Inglourious Basterds - Letterboxd
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Details - Inglourious Basterds - Letterboxd
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Releases - Inglourious Basterds - Letterboxd
- Review by Lucy
Inglourious Basterds 2009 ★★★★★ Rewatched Jan 04, 2018....
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- Reviewed by Allison
Inglourious Basterds 2009 ★★★★★ Rewatched Aug 13, 2017....
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lovcat’s review published on Letterboxd: Com uma narrativa inovadora e uma abordagem única sobre a Segunda Guerra Mundial, Quentin Tarantino entrega uma obra-prima que desafia convenções e mergulha profundamente na natureza da vingança e da justiça.
3 de abr. de 2024 · Essa grande cena épica que encanta os olhos, mas é tudo tão falso. É uma cena enojável quando se percebe o desejo irritante de Tarantino. Tudo se torna totalmente artificial quando o único desejo dele é alimentar seu próprio ego através daquilo que faz dele tão aclamado, mas que aqui é feito de uma forma tão porca.
- Quentin Tarantino
Inglourious Basterds. 2009. ★★★★½. 15 Feb 2022. Stringer Bell’s review published on Letterboxd: First scene = most legendary intro in cinematic history. Good film.
- Quentin Tarantino
- Stringer Bell
30 de jan. de 2024 · In my opinion Tarantino’s best accomplishment, Hans Landa is arguably the best villain of the last 15 years and the cave scene with Donny Donowitz banging the bat on the brick walls combined with the score sent shivers down my spine immediately. An absolute masterpiece. ★★★½ Watched by rmvtop 09 Mar 2024. Did not go in the way I expected it.
Travis McClain’s review published on Letterboxd: You had me at "killin' Nazis." As a piece of good ol' gung ho war cinema, Inglourious Basterds is about as good as I think it can get.
The kinetic dialogue, the violence, and Tarantino’s love for cinema itself are all present in Inglorious Basterds and they’re all in top form. With Inglorious Basterds, Tarantino uses language as a weapon on his audience.
