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1807, Friedland. This work, the largest and most ambitious painting by an artist renowned for meticulously rendered cabinet pictures, evokes one of Napoleon Bonaparte’s greatest victories. Meissonier made hundreds of preparatory studies for it, including drawings and sculptural models.
O quadro 1807, Friedland é uma das obras do artista francês Jean-Louis Ernest Meissonier. Começou a ser pintado em 1861 e foi concluído em 1875 . É um óleo sobre tela de 135,9 x 242,6 centímetros.
Countering that image of Napoleon in defeat, "1807, Friedland," Meissonier's largest and most ambitious painting, evokes one of the emperor's greatest victories. These two paintings were the only realized works in a projected cycle of five episodes in the life of Napoleon.
1807, Friedland is an oil on canvas painting by the French painter Ernest Meissonier, created in c. 1861–1875. It is held in the Metropolitan Museum of Art, in New York. History and description
- Biography
- Gallery
- Pupils
- See Also
- References
- Further Reading
- External Links
Ernest Meissonier was born in Lyon. His father, Charles, had been a successful businessman, the proprietor of a factory in Saint-Denis, north of Paris, that made dyes for the textile industry. He expected Ernest, the eldest of his two sons, to follow him into the dye business. Yet from his schooldays Ernest showed a taste for painting, to which som...
Head of a Soldier, 1860-1870Napoléon III at the Battle of Solferino, 1863A Game of Piquet, 1861Georges Bretegnier[fr]Lucien Gros[fr]King, Ross (2006), The Judgment of Paris, New York: Walker & Company, ISBN 0-8027-1466-8Herbermann, Charles, ed. (1913). "Ernest Meissonier" . Catholic Encyclopedia. New York: Robert Appleton Company.Rines, George Edwin, ed. (1920). "Meissonier, Jean Louis Ernest" . Encyclopedia Americana.Works published up to 1901
1. Alexandre, Histoire de la peinture militaire en France(Paris, 1891) 2. Laurens, Notice sur Meissonier(Paris, 1892) 3. Gréard, Meissonier(Paris and London, 1897) 4. T. G. Dumas, Maîtres modernes(Paris, 1884) 5. Ch. Formentin, Meissonier, sa vie—son œuvre(Paris, 1901) 6. J. W. Mollett, Illustrated Biographies of Modern Artists: Meissonier(London, 1882)
Contemporary scholarship
1. Marc Gotlieb, The plight of emulation: Ernest Meissonier and French salon painting (Princeton University Press, 1996) ISBN 0-691-04374-4, ISBN 978-0-691-04374-6 2. Patricia Mainardi, The end of the Salon: art and the state in the early Third Republic (Cambridge; New York: Cambridge University Press, 1993) ISBN 0-521-43251-0
Media related to Jean-Louis-Ernest Meissonierat Wikimedia Commons 1. Ernest Meissonierin American public collections, on the French Sculpture Census website
Jean-Louis Ernest Meissonier ( Lyon, 21 de fevereiro de 1815 – Paris, 21 de janeiro de 1891) foi um pintor e escultor clássico francês famoso por suas representações de Napoleão, seus exércitos e temas militares. Ele documentou cercos e manobras e foi o professor de Édouard Detaille. [ 1] Trabalho.
1807, Friedland 1875. This work, the largest and most ambitious painting by an artist renowned for meticulously rendered cabinet pictures, evokes one of Napoleon Bonaparte’s greatest victories. Meissonier made hundreds of preparatory studies for it, including drawings and sculptural models.
