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25 de set. de 2000 · Alexander McQueen's show was nothing short of monumental. The audience sat around a mirrored cube, which, when lit from inside, revealed itself to be a mental-hospital holding cell.
30 de dez. de 2021 · This tragic event came as a surprise to many, shaking the fashion world and causing people to look back on the messages portrayed within his body of work with a deeper, more sensitive, and painfully tender eye. One show, in particular, was “Voss” (2001).
In this enigmatic presentation, Mcqueen filed attendees into a dark room, where a massive mirrored cube was placed directly in the middle, forcing the guests to view their own reflections for hours before the beginning of the show.
11 de jun. de 2020 · Alexander McQueen expressed what he saw in the limits of the body, how materials and clothing can affect the way a body exists in a space, and how it creates new relationships in fashion. In La Poupée (1997) and VOSS (2001), McQueen aimed to
Voss, like so many of McQueen’s collections, harnessed multiple, disparate themes which coalesced into the designer’s unique vision of beauty. The title – the name of a Norwegian town renowned as a wildlife habitat – suggested the collection would celebrate nature.
26 de set. de 2000 · After everyone thought it was all over, another cube within the psychiatric ward-cum-runway opened up to reveal a portly nude woman, her face covered by a mask, breathing through a tube, surrounded by fluttering moths.
Passado e futuro se misturavam, criando mulheres com vestidos que lembravam águas-vivas e sapatos Alexander McQueen do icônico modelo tatu, com saltos de 25 centímetros. O background mostrava imagens da brasileira Raquel Zimmermann nua e cercada por cobras.
