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  1. Penelope Ruth Mortimer (née Fletcher; 19 September 1918 – 19 October 1999) was a Welsh-born English journalist, biographer, and novelist. Her semi-autobiographical novel The Pumpkin Eater (1962) was made into a 1964 film of the same name.

  2. Penelope Mortimer (born Sept. 19, 1918, Rhyl, Flintshire, Wales—died Oct. 19, 1999, London, Eng.) was a British journalist and novelist whose writing, depicting a nightmarish world of neuroses and broken marriages, influenced feminist fiction of the 1960s.

    • The Editors of Encyclopaedia Britannica
  3. Penelope Fletcher, better known as Penelope Mortimer, met John Mortimer while still married to Charles Dimont and pregnant with their last child. Fletcher married Mortimer on 27 August 1949, the same day her divorce from Dimont became absolute. Together they went on to have a son, Jeremy Mortimer, and a daughter, Sally Silverman.

  4. Penelope Ruth Mortimer (de soltera Fletcher, 19 de septiembre de 1918 – 19 de octubre de 1999) fue una periodista, biógrafa y novelista inglesa nacida en Gales. Su novela semiautobiográfica El devorador de calabaza (1962) se adaptó en una película de 1964 por la que Anne Bancroft fue nominada para el Oscar a la mejor actriz por ...

  5. Plot. Cast. Production. Critical reception. References. External links. A Summer Story is a British drama film released in 1988, directed by Piers Haggard, based on John Galsworthy ’s 1916 short story "The Apple Tree", with a script by Penelope Mortimer. It stars James Wilby, Imogen Stubbs, and Susannah York .

  6. Penelope Mortimer, née Penelope Fletcher (19 septembre 1918 - 19 octobre 1999), est une auteure, journaliste et biographe britannique. Parmi ses ouvrages traduits en français, on trouve Le Mangeur de citrouilles (The Pumpkin Eater), qui a été adapté au cinéma par Jack Clayton avec un scénario d'Harold Pinter.

  7. 2 de dez. de 2018 · Get immediate access to the current issue and over 25,000 articles from the archives, plus the NYR App. The story of British novelist Penelope Mortimer is, in part, the all too familiar tale of a woman writer plagued by her readership’s inability to separate the life from the art.