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Elgin Lessley (also credited as Lesly, Lessly, and Leslie) (June 10, 1883 - January 10, 1944) was an American hand-crank cameraman of the silent film era—a period of filmmaking when virtually all special effects work had to be produced inside the camera during filming.
Elgin Lessley (auch: Lesly, Lessly, und Leslie) (* 10. Juni 1883 in Higby , Missouri ; † 8. Februar 1944 in Los Angeles , Kalifornien ) war ein US-amerikanischer Kameramann der Stummfilmzeit, der insbesondere durch seine Zusammenarbeit mit Buster Keaton und seiner Entwicklung von innovativen Spezialeffekten Bedeutung erlangte.
SHOW ALL QUESTIONS. Elgin Lessley (also credited as Lesly, Lessly, and Leslie) (June 10, 1883 - January 10, 1944) was an American hand-crank cameraman of the silent film era—a period of filmmaking when virtually all special effects work had to be produced inside the camera during filming.
Elgin Lessley. Elgin Lessley (parfois crédité comme Lesly, Lessly ou Leslie) né le dans le Missouri et décédé le 8 février 1944 à Los Angeles, en Californie, est un cadreur et directeur de la photographie américain. Il est surtout connu pour sa participation aux films de Buster Keaton qui le surnomme « le métronome humain ...
- 10 janvier 1883Higbee, Missouri ( États-Unis)
- CadreurDirecteur de la photographie
- Américaine
Overview. Born. January 10, 1883 · Higbee, Missouri, USA. Died. February 8, 1944 · Los Angeles County, California, USA (myocarditis) Mini Bio. Elgin Lessley was born on January 10, 1883 in Higbee, Missouri, USA. He was a cinematographer and actor, known for Sherlock Jr. (1924), The Navigator (1924) and Our Hospitality (1923).
- January 10, 1883
- February 8, 1944
Elgin Lessley, Keaton's cameraman, shot the far-left Keaton with the first shutter up, and the others down. He then rewound the film, opened the second segment, and re-filmed the next Keaton in sequence.
Seven Chances. The Navigator. Cops. The Goat. Camera. Crew. Acting. Elgin Lessley (also credited as Lesly, Lessly, and Leslie) (June 10, 1883 - January 10, 1944) was an American hand-crank cameraman of the silent film era—a period of filmmaking when virtually all special effects work had to be produced inside the camera during filming.
