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Teatro Musical é uma forma de teatro que combina música, canções, dança, e diálogos falados. Está delimitado por um lado pela sua correlação com a ópera e, por outro, pela sua correlação com o cabaré .
Drama é o modo específico de ficção representado na performance: uma peça, ópera, mímica, balé, etc., realizada em um teatro, rádio ou televisão. [1] Considerado como um gênero de poesia em geral, o modo dramático tem sido contrastado com os modos épico e lírico desde a Poética de Aristóteles (c. 335 a.C.), o primeiro ...
Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Harrigan and Hart in America.
Musicals include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). Closet drama is a form that is intended to be read, rather than performed.
Since the 21st century, the musical genre was rejuvenated with darker musicals, musical biopics, musical remakes, epic drama musicals and comedy drama musicals such as Moulin Rouge! (2001), Chicago (2002), The Phantom of the Opera (2004), Rent (2005), Dreamgirls , Idlewild (both 2006), Across the Universe , Enchanted , Hairspray ...
Music drama, type of serious musical theatre, first advanced by Richard Wagner in his book Oper und Drama (1850–51; “Opera and Drama”), that was originally referred to as simply “drama.” (Wagner himself never used the term music drama, which was later used by his successors and by critics and
Hamilton: An American Musical is a sung-and-rapped-through biographical musical with music, lyrics, and a book by Lin-Manuel Miranda as well as choreography by Andy Blankenbuehler.
