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Desmond Nakano (born 1953) is an American screenwriter and film director. He is Sansei, or third-generation Japanese American. He directed the feature films White Man's Burden (1995) and American Pastime (2007). His writing credits include the screenplays for the dramatic feature films Last Exit to Brooklyn (1989) and American Me (1992).
American Me is a 1992 American independent crime drama film produced and directed by Edward James Olmos in his directorial debut, and written by Floyd Mutrux and Desmond Nakano. Olmos stars as Montoya Santana, who is loosely based on Mexican Mafia boss Rodolfo Cadena.
Last Exit to Brooklyn is a 1989 drama film directed by Uli Edel and adapted by Desmond Nakano from Hubert Selby Jr.'s 1964 novel of the same title. The film is an international co-production between Germany, the UK, and the United States. The story is set in 1950s Brooklyn and takes place against the backdrop of a labor strike.
Desmond Nakano (born 1953) is an American screenwriter and film director. He is Sansei, or third-generation Japanese American. He directed the feature films, White Man's Burden (1995) and American Pastime (2007). His writing credits include the screenplays for the dramatic feature films Last Exit to Brooklyn (1989), American Me (1992).
White Man's Burden is a 1995 American drama film about racism, [2] set in an alternative America where the social and economic positions of black people and white people are reversed. The film was written and directed by Desmond Nakano.
Desmond L. Nakano, né en 1953, est un réalisateur américain d'origine japonaise 1, aussi scénariste, compositeur de musique de film et acteur . Biographie. Filmographie. Réalisation. 1995 : White Man ( White Man's Burden) 2007 : American Pastime. Scénario. 1986 : Sans issue. 1989 : Last Exit to Brooklyn. 1992 : Sans rémission ( American Me)
Idioma. inglês. White Man's Burden ( br: A Cor da Fúria) é um filme produzido nos Estados Unidos em 1995, escrito e dirigido por Desmond Nakano. O filme aborda o racismo nos Estados Unidos, mostrando uma realidade alternativa, onde a elite sócio econômica do país são os negros e quem vive em guetos marginalizados são os brancos.
