Yahoo Search Busca da Web

Resultado da Busca

  1. Nicolas de Largillière ( French: [nikɔla də laʁʒijiɛʁ]; baptised 10 October 1656 – 20 March 1746) was a French painter and draughtsman. Biography. Early life. Largillière was baptised at the Church of Saint-Barthélemy [ fr] in Paris on 10 October 1656. [1] .

  2. Nicolas de Largillierre, diversement orthographié jusqu’à il y a peu N 1, né le 2 octobre 1656 à Paris, où il est mort le 20 mars 1746, est un peintre français. Il est l'un des portraitistes les plus réputés des XVIIe et XVIIIe siècles.

    • Artiste dans la danse danse
    • Nicolas de Largillierre
    • 10 octobre 1656Paris, Royaume de France
  3. Nicolas de Largillière (baptized Oct. 10, 1656, Paris, France—died March 20, 1746, Paris) was a French historical and portrait painter who excelled in painting likenesses of the wealthy middle classes.

    • The Editors of Encyclopaedia Britannica
  4. Nicolas de Largillierre was a French painter of portraits, history paintings, and still lifes in the late seventeenth and early eighteenth centuries. He worked in Paris, London, and Antwerp, and painted for the court of Louis XIV and the Jacobite exiles.

  5. Overview. Catalogue Entry. Signatures, Inscriptions, and Markings. Provenance. Exhibition History. References. Notes. Title: Portrait of a Woman and an Enslaved Servant. Artist: Nicolas de Largillierre (or Largillière) (French, Paris 1656–1746 Paris) Date: 1696. Medium: Oil on canvas. Dimensions: 55 x 42 in. (139.7 x 106.7 cm)

  6. 21 de fev. de 2024 · He returned to Paris in 1682, gained Académie Royale membership in 1686, and ultimately became its director. By the late 1680s, Largillière had established his reputation among the bourgeoisie. He produced 1,200 to 1,500 portraits in his lifetime, gradually becoming less formal and more relaxed in describing pose and costume.

  7. Há 5 dias · Nicolas de Largillierre. 1656 - 1746. He was born (and died) in Paris; he trained in Antwerp and from about 1674 was for some years an assistant to Peter Lely in England. He became a member of the French Academy in 1686 and was later Director; he is recorded as an early admirer of Chardin.