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  1. Philippe de Champaigne ( Bruxelas, 1602 - Paris, 1674), foi um pintor francês de origem flamenga. Estudou em Bruxelas, sua cidade natal, mas em 1621 se mudou para Paris e alguns anos mais tarde tornou-se um cidadão francês naturalizado. Era o mais famoso e brilhante retratista da França do século XVII, a serviço de Luís XIII e ...

  2. Philippe de Champaigne (French pronunciation:; 26 May 1602 – 12 August 1674) was a Brabançon-born French Baroque era painter, a major exponent of the French school. He was a founding member of the Académie royale de peinture et de sculpture in Paris, the premier art institution in the Kingdom of France in the eighteenth century.

  3. Philippe de Champaigne . Nasceu: 26 de maio de 1602; Morreu: 12 de agosto de 1674; Nacionalidade: French; Movimento Artístico: Barroco; Género: portrait, pintura religiosa; Campo: pintura

  4. 22 de mai. de 2024 · Philippe de Champaigne (born May 26, 1602, Brussels, Spanish Netherlands [now in Belgium]—died August 12, 1674, Paris, France) was a Flemish-born Baroque painter and teacher of the French school who is noted for his restrained and penetrating portraits and his religious paintings.

    • The Editors of Encyclopaedia Britannica
  5. Há 4 dias · Learn about the leading French portrait painter of the reign of Louis XIII, who also painted religious works influenced by Jansenism. See his portraits of Cardinal Richelieu and other Jansenists, and his altarpiece 'The Dream of Saint Joseph'.

  6. Philippe de Champaigne trained first in his native Brussels with Jean Bouillon and the portraitist Michel de Bordeau before entering the studio of the landscape painter Jacques Fouquieres in 1620. He followed Fouquieres to Paris in 1621, working in the studio of Georges Lallemant (1580-1636), a painter of the late Fontainebleau school.

  7. A jewel-like painting by a leading French classicist for the private chapel of Queen Anne of Austria. Learn more about the artist, the subject, and the historical context of this artwork from The Met's collection.

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