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  1. en.wikipedia.org › wiki › Val_LewtonVal Lewton - Wikipedia

    Val Lewton (May 7, 1904 – March 14, 1951) was a Ukrainian-American novelist, film producer and screenwriter best known for a string of low-budget horror films he produced for RKO Pictures in the 1940s.

  2. Val Lewton, cujo nome verdadeiro era Vladimir Ivan Leventon (Ialta, Crimeia, Império Russo (atual Ucrânia), 7 de maio de 1904—Hollywood, 14 de março de 1951) foi um produtor cinematográfico judeu ucraniano norte-americano.

  3. www.imdb.com › name › nm0507932Val Lewton - IMDb

    Val Lewton (1904-1951) was a Russian-born American filmmaker who made many famous and well-respected B-movies, such as Cat People, I Walked with a Zombie, and The Body Snatcher. He also wrote novels, stories, and screenplays under various pseudonyms, and worked as a story editor for David O. Selznick.

    • January 1, 1
    • Los Angeles, California, USA
    • January 1, 1
    • 1.83 m
  4. O produtor Val Lewton foi o escalado para cuidar do departamento de filmes de terror da RKO, e o primeiro deles, foi Sangue de Pantera. O resto é história. Abaixo confira os 10 filmes essenciais que Lewton produziu, sendo que TODOS eles foram guiados pelos mestres Jacques Tourneur (3 filmes), Mark Robson (4 filmes) e Robert Wise (3 filmes).

  5. 19 de out. de 2021 · Learn about Val Lewton, the Russian-Jewish émigré who produced nine innovative and influential horror films for RKO between 1942 and 1946. Discover how he transformed pulp titles into psychological thrillers with themes of death, guilt, and ambiguity.

  6. If ever there was a filmmaker made for a series called Dark Corners, then it is Val Lewton. The 9 films that make up Lewton’s RKO horror cycle exist in the dark corners and it is part of Lewton...

    • 38 min
    • 55K
    • Dark Corners Reviews
  7. 4 de out. de 2019 · A tribute to the producer of RKO's classic horror films, who created haunting images and pathos-filled moments with limited resources. Learn about his background, his collaborations, and his legacy in this essay by Alexander Nemerov.