Resultado da Busca
The Comfort of Strangers is a 1990 psychological thriller film directed by Paul Schrader, and starring Christopher Walken, Rupert Everett, Natasha Richardson, and Helen Mirren. The screenplay by Harold Pinter was adapted from the 1981 novel of the same name by Ian McEwan .
- $1.2 million, £404,175 (UK)
- Angelo Badalamenti
- Sovereign Pictures
- Mario Cotone, Angelo Rizzoli Jr.
The Comfort of Strangers: Directed by Paul Schrader. With Christopher Walken, Rupert Everett, Natasha Richardson, Helen Mirren. A couple retreat to Venice to work on their relationship, but an encounter with a stranger leads them into a world of intrigue - where their darkest desires are in reach.
- (6,4K)
- Paul Schrader
- R
- 1 min
1990. The Comfort of Strangers. Outros títulos. Dirigido por: Paul Schrader (I) Média geral 3.2. baseado em 84 votos. Sua avaliação: Já Vi. Quero Ver. Indicar. Drama Suspense. Perfil. Ficha técnica. Comentários. Notícias. 16 - Não recomendado para menores de 16 anos 107 minutos.
- (84)
- Paul Schrader (I)
- 16-Não recomendado para menores de 16 anos
- Antonio Serrano
Helen Mirren. Caroline. Manfredi Aliquo. Concierge. Watchlist. In Theaters At Home TV Shows. An Italian diplomat's son (Christopher Walken) follows and seduces English lovers (Rupert Everett,...
- (23)
- Paul Schrader
- R
- Christopher Walken
The Comfort of Strangers. Adapting the acclaimed novel by Ian McEwan, playwright and screenwriter Harold Pinter lends his trademark unnerving dialogue and air of creeping menace to this spellbinding study of power, control, and the frighteningly thin line between pleasure and pain.
- Robert
12 de abr. de 1991 · "The Comfort of Strangers" contains the elements to be a violent crime story, or a lurid horror film. Paul Schrader, who directed it, is not interested in such a mundane approach. He sees the story as literate, elegant eroticism.
O filme oferece um exame sobre o limite que separa a liberdade dos distúrbios sexuais, a fantasia da realidade. O tema é perfeitamente sintonizado com os trabalhos anteriores de Schrader, que aqui acrescenta um frio estudo voyeurístico sobre a perversidade e a obsessão.
