Yahoo Search Busca da Web

Resultado da Busca

  1. Sinopse. A única ligação que o ex-agente Cha Tae-shik (Bin Won) tem com o resto do mundo é uma menina, Jeong So-mi (Sae-ron Kim), que vive nas proximidades. Sua mãe, Hyo-jeong (Hyo-seo Kim), que é...

    • (9)
    • 17 de janeiro de 2017
    • Lee Jeong-beom
    • 119
  2. The Man from Niger or Forbidden Love (French: L'homme du Niger) is a 1940 French drama film, directed by Jacques de Baroncelli and starring Victor Francen, Jacques Dumesnil and Annie Ducaux. It is set in the French colonial empire. It was shot at the Saint-Maurice Studios in Paris and on location in Mali, then known as French Sudan.

  3. The Man From Nowhere/ O Homem de Lugar Nenhum, 2010 (Ajeossi) País: Coreia do Sul. Diretor:Jeong-beom Lee. Elenco: Won Bin, Kim Hee Won, Kim Sung-Oh, Sae-ron Kim. SINOPSE: A única ligação de um ex-agente especial do CHA, Tae-shik, com o resto do mundo é uma menina, So-mi, que mora nas proximidades.

  4. Sinopse. A única ligação do ex-agente Tae-shik com o resto do mundo é a garota So-mi. Hyo-Jeong, a mãe de So-mi, é traficante e confia sua mercadoria a Tae-shik sem que ele saiba. Os traficantes descobrem o contrabando, sequestram mãe e filha e planejam um grande complô para eliminar um líder rival. Quando o corpo de Hyo-Jeon é ...

    • (6)
    • Jeong-Beom Lee
    • 14 anos
    • Won Bin
  5. A retired government operative, living in obscurity, collects his pension and minds his own business. But when a gang of black market organ harvesters abduct the kid who lives next door, he swings into action, tearing through everyone in his path as he races to the rescue.

  6. Tae-Sik is a widower with a mysterious past. When a young girl he befriends is kidnapped by a vicious drug gang, Tae-Sik rushes to save her. Hell-bent on justice after being framed by the nasty criminals, he takes the law into his own hands.

  7. 3 de jan. de 2014 · L'Homme du Niger/The Man from Niger ( Jacques de Baroncelli, 1939) is one of the rare French films to situate the colonial theme in black Africa. As such it creates a link between the cinema's imaginary and anthropological history to establish an original reading of the colonial moment and its ideological effects during the 1930s.