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10 de dez. de 2022 · All'Armi Siam Fascisti - Film Completo (HD) by Film&Clips - YouTube. Film&Clips. 4.83M subscribers. Subscribed. 604. 53K views 1 year ago #stream #storia #movie. All'Armi Siam...
- 114 min
- 53,8K
- Film&Clips
All'armi, siam fascisti! nacque in seno alle proteste anti-fasciste per l'adesione alla coalizione di governo del Movimento Sociale Italiano. Realizzato con materiali d'archivio provenienti dai cinquant'anni precedenti (1911-1961), il film è un found footage che racconta il fascismo e i suoi elementi di continuità nel dopoguerra.
With Giancarlo Sbragia, Emilio Cigoli, Nando Gazzolo, Léon Blum. Documentary compiled from archives and accompanied by a poet's commentary, shows the sweep of modern Italian history from 191 to 1961, centering on the conditions leading to Fascism and the post WW II reaction to the Fascist experience.
- (64)
- Documentary, History
- Lino Del Fra, Cecilia Mangini, Lino Miccichè
- 1962-04-25
All’armi siam fascisti! é uma investigação, construída exclusivamente por imagens de arquivo, sobre as origens do fascismo. Realizado enquanto ocorriam manifestações em massa e greves antifascistas em Julho de 1960. Depois de concluído, o filme foi bloqueado pela censura por mais de um ano.
A landmark piece of political filmmaking in post-war Italy, the film interrogates the Catholic Church’s role in the rise of fascism and doesn’t hesitate to call out how right-wing politics were still present in the country.
All’armi siam fascisti! Comprising archives that run from the early twentieth century until 1960, the film is a survey on fascism. It was made on the wave of mass demonstrations around the country and after the violent events that took place in July of 1960 in Genoa. IMDb 7.1 1 h 48 min 1962. 16+. Documentary · Historical · Edifying · Downbeat.
Directed by Lino Del Fra, Cecilia Mangini, Lino Miccichè. Minerva. download. A hundred years after the March on Rome, this is one of the most beautiful documentary films by Mangini - Del Fra, supported by the critic Lino Micciché, with commentary by Franco Fortini.
