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The Origin of the Work of Arta Originb means here that from where and through which a thing is what it is and how it is. That which something is, as it is, we call its nature [Wesen]. The origin of something is the source of its nature. The question of the origin of the artwork asks about the source of its nature. According to the
"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
- Martin Heidegger
- 1950
Timo Helenius. Download Free PDF. View PDF. David Hickling. In The Origin of the Work of Art Heidegger questions what he sees as the traditional notion of aesthetics wherein an artwork is an object which has its origin in the artist. In his own thinking on art he stresses the importance of conceiving of art as a 'work' rather than as an object.
- Roger Berkowitz
‘The Origin of the Work of Art ’: Heidegger. Patrick Hutchings. Published online: 13 September 2012 Springer Science+Business Media B.V. 2012. Abstract. Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'.
- Patrick Hutchings
- 2012
“The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
- Jonathan Dronsfield
- 2009
ceptual history through which this origin of the work of art could be made manifest needed to be understood within the context (and a cer tain leveling) of its Greek origins. As a result he argued for an under standing of the thing as emerging from the earth (physis)?and the figuration (Gestaltung) of the work of art itself as a setting or bringing
13 de set. de 2012 · ‘The Origin of the Work of Art’: Heidegger. Published: 13 September 2012. Volume 51 , pages 465–478, ( 2012 ) Cite this article. Download PDF. Patrick Hutchings. 2259 Accesses. Explore all metrics. Abstract. Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'.
