Resultado da Busca
Tom Scott – woodwind instruments, harmonica; Robben Ford – electric guitar; Larry Nash – piano; Max Bennett – bass; John Guerin – drums, percussion; Technical. Henry Lewy – sound engineer, mixing; Ken Caillat – Live Tracking engineer (for Wally Heiders) Anthony Hudson – art direction; Mobile Recording: Wally Heider ...
Soon after returning home, tickets went on sale for Joni's tour with Tom Scott and the L.A. Express, which stopped in at the Merriweather Post Pavilion on August 24. Of course I purchased my lawn seat, and made plans to attend.
Background. Mitchell did not release a new album in 1973, the first year she had not done so in her professional career. Her previous offering, For the Roses, was released in November 1972 to critical and commercial success, and Mitchell decided to spend the whole of the next year writing and recording a new album that revealed her growing interest in new sounds—particularly jazz.
Miles of Aisles is a four-sided live album with a greatest-hits feel to it that collects 18 numbers from Mitchell's successful concert tour of last winter. It's a strong album of her best songs performed mostly informally, backed on sides one and four by reedman Tom Scott and his band - an interesting album because it displays an occasional ...
By Stephen Davis. February 13, 1975. Miles of Aisles is a four-sided live album with a greatest-hits feel to it that collects 18 numbers from Mitchell’s successful concert tour of last winter ...
There are two sides of Joni alone, and two of Joni with the L.A. Express, led by Tom Scott. The spectrum of her development is examined, from "Cactus Tree" to the two new songs, "Jericho" and "Love or Money." The L.A. Express numbers in concert centered around cuts from Court and Spark which are wisely omitted on Miles of Aisles.
Recorded at a series of California dates, the album finds Joni spurred on by the L.A. Express, and akin in sound to her commercial breakthrough Court And Spark, the ensemble playing here is smooth and sleek, defined by Tom Scott’s versatile sax work.
