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Edward William Godwin (26 May 1833 – 6 October 1886) was a progressive English architect-designer, who began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic movement ...
Godwin, Edward William 1833 - 1886. Edward Edward Godwin [also known as E.W. Godwin] was born in Bristol, England on 26 May 1833 and was the son of William Godwin (c.1794–1846), a partner in Godwin, Smith & Co., a building and decorating firm.
18 de nov. de 1999 · Edward William Godwin (26 May 1833 – 6 October 1886) was a progressive English architect-designer, who began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic movement ...
7 de nov. de 2006 · Edward William Godwin (1835-1886) was born in Bristol, the son of a prosperous currier and leather cutter; after being educated at Exton School, Highbury, London, he returned to Bristol and was articled to William Armstrong, City Surveyor, Architect and Civil Engineer -- with the emphasis very much on the "engineer."
This table, designed by Edward William Godwin around 1872, demonstrates the ideals characteristic of the Aesthetic movement in Britain from the 1860s to 1880s. The overall composition of the table, with its attenuated lines and asymmetrical organization of stretchers and posts, creates a rhythm of horizontal and vertical elements that echo ...
24 de abr. de 2024 · A more flexible approach to the significance and contextualization of Godwin’s symbolist tendencies, for example, or his radicalized domesticity and creative involvement in the shifting formations of the London art world, can offer a more sympathetic, inclusive view of his role within Modernism.
British 1833 - 1886. Designers & Makers. Over a period of twenty-five years Edward William Godwin is thought to have produced around four hundred eclectic designs, many executed in the Anglo-Japanese style which he is credited for popularising.
