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Edward William Godwin (26 May 1833 – 6 October 1886) was a progressive English architect-designer, who began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic movement ...
Godwin, Edward William 1833 - 1886. Edward Edward Godwin [also known as E.W. Godwin] was born in Bristol, England on 26 May 1833 and was the son of William Godwin (c.1794–1846), a partner in Godwin, Smith & Co., a building and decorating firm.
22 de mai. de 2024 · Edward Godwin (born May 26, 1833, Bristol, Gloucestershire, England—died October 6, 1886, London) was a British architect, designer, and writer notable for his contributions to the English Aesthetic movement in design, which drew its inspiration mainly from East Asia, particularly from Japan.
- The Editors of Encyclopaedia Britannica
18 de nov. de 1999 · Edward William Godwin (26 May 1833 – 6 October 1886) was a progressive English architect-designer, who began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic movement ...
7 de nov. de 2006 · Edward William Godwin (1835-1886) was born in Bristol, the son of a prosperous currier and leather cutter; after being educated at Exton School, Highbury, London, he returned to Bristol and was articled to William Armstrong, City Surveyor, Architect and Civil Engineer -- with the emphasis very much on the "engineer."
4 de jun. de 2017 · E. W. Godwin (1833-86) is now widely acknowledgedfor his radicalized domesticity and. as a leading designer of 'Artistic' interiors and furnishings, but to his contemporaries he was equally well known as a prolific, frequently controversial, critic and magazine editor.
This table, designed by Edward William Godwin around 1872, demonstrates the ideals characteristic of the Aesthetic movement in Britain from the 1860s to 1880s. The overall composition of the table, with its attenuated lines and asymmetrical organization of stretchers and posts, creates a rhythm of horizontal and vertical elements that echo ...
