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  1. en.wikipedia.org › wiki › High_NoonHigh Noon - Wikipedia

    High Noon is a 1952 American Western film produced by Stanley Kramer from a screenplay by Carl Foreman, directed by Fred Zinnemann, and starring Gary Cooper. The plot, which occurs in real time, centers on a town marshal whose sense of duty is tested when he must decide to either face a gang of killers alone, or leave town with his ...

  2. With Gary Cooper, Thomas Mitchell, Lloyd Bridges, Katy Jurado. A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at "high noon" when the gang leader, an outlaw he "sent up" years ago, arrives on the noon train.

    • (110K)
    • Drama, Thriller, Western
    • Fred Zinnemann
    • 1952-07-30
  3. Hoje discuto sobre High Noon (Matar ou Morrer) - um dos maiores westerns da história do cinema, estrelado por Gary Cooper.

    • 15 min
    • 10,9K
    • Dalenogare Críticas
  4. 19 de dez. de 2021 · High Noon (1952) is possibly the all-time best Western film ever made - a successful box-office production by Stanley Kramer and director Fred Zinnemann (who also directed From Here to Eternity (1953) and A Man For All Seasons (1966)).

  5. Sinopse. Will Kane (Gary Cooper) é um xerife que fica sabendo na hora de seu casamento que ao meio-dia chegará um trem trazendo Frank Miller (Ian MacDonald), um criminoso que mandou para a cadeia e planeja se vingar.

    • (25)
    • Fred Zinnemann
    • 12 anos
    • Gary Cooper
    • High Noon film series1
    • High Noon film series2
    • High Noon film series3
    • High Noon film series4
  6. Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.

  7. High Noon is one of the few American films that follow the classic Aristotelian principle of the “classic unities” of time, place and action. The running time of the story almost exactly parallels the running time of the film itself.